On March 30, 2011, the song "Mahaneeya Mahathi Roopakam - Studio" was released by M. Balamuralikrishna, Giri. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in M. Balamuralikrishna, Giri's "Madhura Murali (Studio)" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Mahaneeya Mahathi Roopakam - Studio's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mahaneeya Mahathi Roopakam - Studio by M. Balamuralikrishna, Giri to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Title Music (Srinivasa Kalyana) - Srinivasa Kalyana / Soundtrack Version | Various Artists | A♭ Major | 3 | 4B | 121 BPM | ||
| Kudureya Thandivni | Appagere Thimmaraju, Nanditha | D Major | 4 | 10B | 180 BPM | ||
| Nanu Brovamani Cheppave | M. Balamuralikrishna | C Major | 4 | 8B | 116 BPM | ||
| Manavyalakinchara | Chembai | F♯ Major | 4 | 2B | 88 BPM | ||
| Daari Kannadhagidhe | Vani Jairam | A Major | 6 | 11B | 139 BPM | ||
| Kurubanillada | Dr. Rajkumar | F♯ Minor | 8 | 11A | 95 BPM | ||
| Unperumai Ellam | Saindhavi | A♭ Major | 4 | 4B | 87 BPM | ||
| Yenniyadhu | Pushpavanam Kuppusamy | A♭ Major | 6 | 4B | 187 BPM | ||
| Nadariyum Noorumalai | Pithukuli Murugadas | E Major | 2 | 12B | 81 BPM | ||
| Sogasujooda - Raga: Kannadagowla; Tala: Rupakam | M. Balamuralikrishna | C Major | 4 | 8B | 177 BPM | ||
| Anuragada Bhoga | Rajkumar | C Major | 6 | 8B | 98 BPM | ||
| Unnai Kandu | M. K. Thyagaraja Bhagavathar | D♭ Major | 5 | 3B | 88 BPM | ||
| Venkata Ramana | Dr. M. Balamuralikrishna | A Minor | 8 | 8A | 82 BPM | ||
| Mahaganapathim - Maharajapuram Santhanam | Maharajapuram Santhanam | C Minor | 5 | 5A | 148 BPM | ||
| Devathai Puriyum Thavangal | Vani Jairam, Chandra Bose | G Major | 5 | 9B | 114 BPM | ||
| Omkara Panjara Sukeem | P. B. Sreenivas, Madhavapeddi Sathyam | D♭ Minor | 4 | 12A | 107 BPM | ||
| Karpagavallinin - 1963 | T. M. Soundararajan | G Minor | 5 | 6A | 80 BPM | ||
| Annai Madiyil | Uma Ramanan, Hamsalekha, Vairamuthu | B Minor | 5 | 10A | 108 BPM | ||
| Thondhi Sariya | Mahanya Shree S | G Major | 5 | 9B | 114 BPM | ||
| Thaamarai Malargal Aaru | Sirkazhi Govindarajan | D Major | 5 | 10B | 125 BPM | ||
| Sadi Seyako Gaali | P. Leela | B Minor | 3 | 10A | 85 BPM | ||
| Raagamayi Raave | Ghantasala | C Major | 6 | 8B | 139 BPM | ||
| Unkannil Neer | Sivaji Ganesan | G Minor | 4 | 6A | 84 BPM | ||
| Kandena Govinda | Sanjay Subrahmanyan | A Major | 4 | 11B | 145 BPM | ||
| Petra Thaaidhanai | S. P. Sailaja | C Major | 2 | 8B | 115 BPM |