"Gone Day" by Stephen Rennicks had its release date on October 16, 2015. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Gone Day's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Room (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Based on our statistics, Gone Day's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gone Day by Stephen Rennicks having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Swim Piano Hymn | Stephen Rennicks | E♭ Major | 0 | 5B | 73 BPM | ||
| Skype Sweet | Stephen Rennicks | D♭ Major | 3 | 3B | 127 BPM | ||
| Planet Earth | Owen Pallett | F♯ Major | 0 | 2B | 84 BPM | ||
| Jacob's Prayer | Emile Mosseri | D♭ Major | 1 | 3B | 81 BPM | ||
| Both Girls | Kris Bowers | F Major | 1 | 7B | 114 BPM | ||
| The Tremors | Jan Miserre, John Gürtler | B♭ Major | 1 | 6B | 70 BPM | ||
| I Used to Be a Brother | Richard Reed Parry, Pietro Amato | E Minor | 0 | 9A | 102 BPM | ||
| Phone Call - From "Eternal Sunshine of the Spotless Mind"/Score | Jon Brion | D♭ Major | 4 | 3B | 126 BPM | ||
| As If She Was Still Here | Anne Nikitin, Jessica Jones, Tim Morrish | E♭ Major | 2 | 5B | 165 BPM | ||
| I Still Dream About You, Sometimes But Not Always - Snorri Hallgrímsson Rework | Luke Howard, Snorri Hallgrímsson | B♭ Major | 0 | 6B | 90 BPM | ||
| Moments Capsuled In Time | Benjamin Gustafsson | D Major | 1 | 10B | 70 BPM | ||
| Morning Talk / Supersymmetry | Arcade Fire, Owen Pallett | A♭ Major | 2 | 4B | 70 BPM | ||
| Fall | Vanbur | E♭ Major | 2 | 5B | 87 BPM | ||
| Pauvre Simon | Sylvain Chauveau | A Minor | 2 | 8A | 147 BPM | ||
| Memory Opening | Oliver Coates | D Major | 2 | 10B | 134 BPM | ||
| From Czechoslovakia to Orr Street | Brad Oberhofer, Oberhofer | A♭ Minor | 0 | 1A | 80 BPM | ||
| Baptism | Brad Oberhofer, Oberhofer | C Major | 1 | 8B | 67 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| Memories Aren't Going Anywhere | Este Haim, Christopher Stracey | E Major | 3 | 12B | 132 BPM | ||
| Peer Pressure - From "Eternal Sunshine of the Spotless Mind"/Score | Jon Brion | E Major | 0 | 12B | 68 BPM | ||
| David's Writings | Christopher Willis | D♭ Minor | 4 | 12A | 92 BPM | ||
| Beyond | Mattia Vlad Morleo | B Minor | 1 | 10A | 67 BPM | ||
| Sophie - From "Close" Original Motion Picture Soundtrack | Valentin Hadjadj | F Minor | 0 | 4A | 180 BPM | ||
| DVCAM | Oliver Coates | E♭ Minor | 6 | 2A | 80 BPM | ||
| Sick From The Pressure | Kevin Smuts | A Minor | 0 | 8A | 66 BPM |