Carl Reinecke, Joanna Sochacka's 'Elegy' had a release date set for November 29, 2025. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in "070 Chamber & Piano Music Discoveries": Elegy, so we believe that "Elegy" is a single. Elegy is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Elegy by Carl Reinecke, Joanna Sochacka is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Xàfec de Llum I Tenebres: III. Quizás la Luz | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Lullaby | Rebecca Clarke, Geneviève Laurenceau, Jean-Frédéric Neuburger | B♭ Major | 1 | 6B | 75 BPM | ||
| 3 Romances, Op. 22: No. 1, Andante molto | Clara Schumann, Natalia Lomeiko, Dinara Klinton | D Major | 1 | 10B | 101 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| Symphony No. 2 in E Minor: IV. Finale. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | E Minor | 1 | 9A | 110 BPM | ||
| Valse de Concert Nr. 1 in D Major, Op. 47: Allegro | Alexander Glazunov, Beethoven Orchester Bonn, Stefan Blunier | G Minor | 2 | 6A | 174 BPM | ||
| Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | D♭ Minor | 0 | 12A | 95 BPM | ||
| 3 Romances, Op. 22 (Arr. for Oboe & Piano by Nicholas Daniel): No. 1, Andante molto | Clara Schumann, Nicholas Daniel, Julius Drake | D♭ Major | 1 | 3B | 69 BPM | ||
| Violin Sonata in E Minor, P. 85: IV. Giga. Vivace assai (After J.S. Bach's BWV 1023) | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | E Minor | 0 | 9A | 121 BPM | ||
| Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo (Allegro vivo) | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| Bassoon Sonata in G Major, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Christopher Millard, Stephane Lemelin | B Major | 0 | 1B | 71 BPM | ||
| Trumpet Concerto, Op. 18: III. Rondo. Allegro scherzando | Oskar Böhme, Matthias Höfs, Tarmo Peltokoski, Deutsche Kammerphilharmonie Bremen | E♭ Major | 1 | 5B | 89 BPM | ||
| Sonata for Violin and Piano in A: 2. Allegro- Quasi lento- Tempo 1 (Allegro) | César Franck, Kaja Danczowska, Krystian Zimerman | G Minor | 1 | 6A | 73 BPM | ||
| Trio in A Minor, Op. 188: I. Allegro moderato | Carl Reinecke, Dallas Chamber Players | A Minor | 1 | 8A | 59 BPM | ||
| Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
| Bassoon Concerto in F Major, Op. 75, J. 127: I. Allegro ma non troppo | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | F♯ Major | 1 | 2B | 71 BPM | ||
| 3 Romanzen, Op. 94: III. Nicht schnell | Robert Schumann, Céline Moinet, Florian Uhlig | D Major | 0 | 10B | 169 BPM | ||
| Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Bassoon Concerto in F Major, Op. 75, J. 127: II. Adagio | Carl Maria von Weber, Matthias Rácz, Nordwestdeutsche Philharmonie, Johannes Klumpp | E Minor | 0 | 9A | 105 BPM | ||
| Barcarolle, Op. 27 No. 1 | Moritz Moszkowski, Seta Tanyel | D♭ Major | 1 | 3B | 74 BPM | ||
| Deux arabesques, L. 66: Arabesque No. 2 | Claude Debussy, Tiffany Poon | B Major | 0 | 1B | 64 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM |