Ray Conniff's 'Yesterdays' had a release date set for April 1, 1959. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ray Conniff's "Hollywood In Rhythm" album is number 11 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Yesterdays's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Yesterdays by Ray Conniff to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Enchantment | Otto Cesana, Otto Cesana & His Orchestra | F Major | 5 | 7B | 81 BPM | ||
| El Espantapajaros Azul | Diego De Cossio | A Major | 6 | 11B | 155 BPM | ||
| Yesterday | Pierre Charlon | E Minor | 4 | 9A | 88 BPM | ||
| Adios | Les & Larry Elgart | F Major | 6 | 7B | 119 BPM | ||
| Y Volveré | John Pazos and His Bolero Orchestra | B Minor | 5 | 10A | 92 BPM | ||
| Historia de Amor | Bodas y 15 Años | A Minor | 6 | 8A | 160 BPM | ||
| Carnival | Edmundo Ros & His Orchestra | F Minor | 5 | 4A | 67 BPM | ||
| La Vida en Rosa | Pop Strings Orchestra | A Major | 5 | 11B | 86 BPM | ||
| La Última Noche | Adrian Perticone | G Major | 5 | 9B | 129 BPM | ||
| La Paloma | Richard Abel | C Major | 5 | 8B | 111 BPM | ||
| I Just Called to Say I Love You | The Mantovani Orchestra | D Major | 4 | 10B | 123 BPM | ||
| Poor Butterfly | Paul Weston | D♭ Major | 2 | 3B | 102 BPM | ||
| Love Me With All Your Heart | 50 Guitars of Tommy Garrett | G Major | 4 | 9B | 184 BPM | ||
| Le temps des fleurs | Jean Claude Borelly | A Minor | 5 | 8A | 122 BPM | ||
| Melody (Melody Fair) | Sounds Unlimited Orchestra & The London Philarmonic Orchestra | D Major | 5 | 10B | 104 BPM | ||
| I Can't Smile Without You | Frank Chacksfield | B♭ Minor | 3 | 3A | 108 BPM | ||
| No More Lonely Nights | The Fantasy Strings | F Major | 6 | 7B | 80 BPM | ||
| La mélodie du lac d'amour | Jean Claude Borelly | G Minor | 6 | 6A | 160 BPM | ||
| Lara's Theme from Dr Zhivago | Annunzio Paolo Mantovani | G Major | 2 | 9B | 69 BPM | ||
| Tie A Yellow Ribbon Round The Ole Oak Tree | The Ray Conniff Singers | F Major | 7 | 7B | 155 BPM | ||
| The Poor People of Paris | Ray Conniff | D♭ Major | 7 | 3B | 78 BPM | ||
| Petite Fleur | Billy Vaughn y su Orquesta | G Minor | 3 | 6A | 118 BPM | ||
| Never On Sunday | Percy Faith & His Orchestra | G Major | 3 | 9B | 134 BPM | ||
| Emociones | Juan Torres Y Su Organo Melodico | F Major | 3 | 7B | 79 BPM | ||
| New York, New York | Pop Strings Orchestra | D Major | 6 | 10B | 109 BPM |