"Variations on a Rococo Theme, Op. 33: Var. 6. Andante" by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra had its release date on January 1, 1997. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Tchaikovsky: Rococo Variations; Souvenir de Florence; Lensky's Aria From "Eugen Onegin"; Nocturne In D Minor (From Op. 19, No. 4); Andante Cantabile, Op. 11". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Variations on a Rococo Theme, Op. 33: Var. 6. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Variations on a Rococo Theme, Op. 33: Var. 6. Andante by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto in G Minor for Two Cellos and Strings, RV 531: II. Largo | Kirstin von der Goltz, Ute Zimmermann | D Minor | 0 | 7A | 180 BPM | ||
| Suite populaire Espagnole: Asturiana, Arr. by Maurice Maréchal | Manuel de Falla, Mischa Maisky, Lily Maisky | F Minor | 0 | 4A | 85 BPM | ||
| Symphony No. 4 in F Minor, Op. 36, TH 27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 0 | 3A | 64 BPM | ||
| Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
| Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM | ||
| The Four Seasons, Violin Concerto No. 1 in E Major, RV. 269, Op. 8 No. 1 'La primavera/ Spring': II. Largo | Antonio Vivaldi, Arthur Davison, Kenneth Sillito, Virtuosi Of England | D♭ Minor | 2 | 12A | 131 BPM | ||
| Liebesleid - Arr. Mischa Maisky | Fritz Kreisler, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 83 BPM | ||
| Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Sarah Chang, Kurt Masur, Dresdner Philharmonie | C Minor | 2 | 5A | 118 BPM | ||
| Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM | ||
| Romeo & Juliet, Op. 64, Act I: No. 19, Balcony Scene | Sergei Prokofiev, Baltimore Symphony Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 93 BPM | ||
| Boccherini : Cello Sonata No.7 in B flat major G8 : III Larghetto - Allegro - Larghetto | Luigi Boccherini, Anner Bylsma | A Major | 1 | 11B | 81 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Heath Quartet | A Minor | 1 | 8A | 82 BPM | ||
| 3 Romances for Violin and Piano, Op. 22: II. Allegretto | Clara Schumann, Lisa Batiashvili, Alice Sara Ott | G Minor | 0 | 6A | 92 BPM | ||
| Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | D Major | 1 | 10B | 81 BPM | ||
| Piano Quintet in G Minor, Op. 57: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | C Minor | 3 | 5A | 130 BPM | ||
| 24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
| Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
| Liebesleid, Old Viennese Dance No. 2 | Fritz Kreisler, Shlomo Mintz, Clifford Benson | A Major | 0 | 11B | 98 BPM | ||
| Violin Concerto, Op. 14: II. Andante | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
| Violin Sonata in D major, Op.1, No.13, HWV 371 - arr. by Mischa Maisky for Cello and Piano: 3. Larghetto | George Frideric Handel, Mischa Maisky, Pavel Gililov | A Minor | 1 | 8A | 85 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
| Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Alexander Kniazev | A Minor | 0 | 8A | 91 BPM | ||
| Cello Concerto No. 1 in G Major: II. Romance. Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 176 BPM |