"Salt Lick" by Wretched had its release date on June 10, 2014. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 11 in Cannibal by Wretched. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Salt Lick is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Salt Lick by Wretched is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Diamonds | Ophidian I | A Minor | 10 | 8A | 140 BPM | ||
| Coalescing the Void | Symbolik | B Minor | 10 | 10A | 110 BPM | ||
| Aborning | Wretched | D Minor | 10 | 7A | 110 BPM | ||
| Endless Waves | Inanimate Existence | E Major | 10 | 12B | 115 BPM | ||
| Heresiarch I: Bruma Aeterna | The Ritual Aura | G Minor | 9 | 6A | 120 BPM | ||
| Gula | First Fragment | F♯ Minor | 10 | 11A | 104 BPM | ||
| Feast | Alterbeast | G Major | 10 | 9B | 120 BPM | ||
| Death Is Real | Rivers of Nihil | D♭ Major | 9 | 3B | 120 BPM | ||
| Synaptic Depravation | The Zenith Passage | B Major | 9 | 1B | 180 BPM | ||
| Dominion Eyes | Ophidian I | E Major | 10 | 12B | 130 BPM | ||
| Thin Skinned | Wretched | A Major | 10 | 11B | 102 BPM | ||
| As the Crow Flies | Alluvial | C Major | 10 | 8B | 121 BPM | ||
| From the Void | Arkaik | A♭ Major | 10 | 4B | 125 BPM | ||
| Ritual of Regret | Singularity | F♯ Major | 9 | 2B | 117 BPM | ||
| VI: The Exodus Of Autonomy - Instrumental | Wretched | E Minor | 8 | 9A | 200 BPM | ||
| Into Oblivion | Alterbeast | D♭ Major | 10 | 3B | 130 BPM | ||
| Coven of Hags | Merrow | A♭ Major | 10 | 4B | 169 BPM | ||
| Coexistence | Beyond Creation | A♭ Major | 10 | 4B | 153 BPM | ||
| Transmutation of the Artilect | Demon King | D Major | 10 | 10B | 186 BPM | ||
| Thousand-Yard Glare | Apogean | F Minor | 5 | 4A | 63 BPM | ||
| Endless Cycle Of Violence | Cephalic Carnage | G Major | 10 | 9B | 130 BPM | ||
| Metatron | Decrepit Birth | F♯ Minor | 10 | 11A | 115 BPM | ||
| Umbra Mortis | Flub | A♭ Major | 9 | 4B | 105 BPM | ||
| World Divides | The Absence | D♭ Major | 10 | 3B | 160 BPM | ||
| Fathoms | Arsis | C Minor | 10 | 5A | 160 BPM |