Philip Larkin's ' "Arrivals, Departures" was released on its scheduled release date, May 26, 2014. With This song being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Less Deceived". In this album, this song's track order is #28. Based on our statistics, Arrivals, Departures's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Arrivals, Departures by Philip Larkin having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Remember By Christina Rossetti | Christina Rossetti | D Major | 1 | 10B | 113 BPM | ||
| Chapter 15 - Right Ho, Jeeves | P. G. Wodehouse, Simon Jones | A Major | 4 | 11B | 171 BPM | ||
| True Desert Horror Stories, Pt. 5 | Mr. Nightmare | E Minor | 2 | 9A | 126 BPM | ||
| Monolys | Bardfin | A Major | 0 | 11B | 137 BPM | ||
| Pinocchio, Pt. 27 | Fairy Tales for Kids | A♭ Major | 2 | 4B | 101 BPM | ||
| The Ambient Rhythm | Lil Cam 5 1 | E Major | 2 | 12B | 72 BPM | ||
| Maiden Name | Philip Larkin | B Minor | 1 | 10A | 168 BPM | ||
| Desolation Angels | Jack Kerouac | C Minor | 1 | 5A | 107 BPM | ||
| Recognizing Presence Is Here | Eckhart Tolle | G Minor | 5 | 6A | 59 BPM | ||
| CHAPTER 5 WORK | Speed rail | E Minor | 1 | 9A | 87 BPM | ||
| I Remember, I Remember | Philip Larkin | D Major | 2 | 10B | 72 BPM | ||
| Lesson 8d | Kieran Ball | B♭ Minor | 1 | 3A | 88 BPM | ||
| Dualities | Spiritual Unfoldment with John Butler | D♭ Major | 3 | 3B | 118 BPM | ||
| Applying Presence to Challenges | Eckhart Tolle | F♯ Major | 2 | 2B | 118 BPM | ||
| The Blues | Nik_Poetry | A Major | 1 | 11B | 65 BPM | ||
| I Had a Slouch Hat Too One Time (with Steve Allen) | Jack Kerouac | F Major | 2 | 7B | 108 BPM | ||
| The Silver Fish | Shel Silverstein | F Minor | 3 | 4A | 114 BPM | ||
| At The Zoo | Abie Rotenberg | B♭ Major | 3 | 6B | 89 BPM | ||
| Intro to The Haunted and the Hunters | Alfred Hitchcock | A Minor | 0 | 8A | 107 BPM | ||
| Childhood Perspective (Dick) | Rob Crean | F Major | 4 | 7B | 103 BPM | ||
| Poetry of Departure | Philip Larkin | G Minor | 2 | 6A | 172 BPM | ||
| Sadmin | Hannah Gadsby | A Minor | 4 | 8A | 88 BPM | ||
| Render Unto Caesar That Which Is Caesar’s | Spiritual Unfoldment with John Butler | D♭ Major | 1 | 3B | 90 BPM | ||
| Cat's New Life | Chris Barrie | B♭ Major | 6 | 6B | 123 BPM | ||
| Introduction | Kieran Ball | B♭ Minor | 1 | 3A | 90 BPM |