On 1997, the song "Dear B*tch (Interlude) (feat. R.I.P D-RAY)" was released by The Comrads. For a fairly short song, this song is "Dear B*tch (Interlude) (feat. R.I.P D-RAY)" is considered an explicit song with a duration of 0:34. There are a total of 14 in the song's album "The Comrads". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. Dear B*tch (Interlude) (feat. R.I.P D-RAY) is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Dear B*tch (Interlude) (feat. R.I.P D-RAY) by The Comrads having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Steal at Will | Kausion | A Major | 8 | 11B | 119 BPM | ||
| Thug N*ggas (feat. Mack 10) | The Comrads | F♯ Minor | 6 | 11A | 89 BPM | ||
| Click, Click | Kausion | G Major | 8 | 9B | 92 BPM | ||
| Intro | The Comrads | D Major | 10 | 10B | 160 BPM | ||
| That's Real | Domino | D♭ Minor | 5 | 12A | 87 BPM | ||
| Realism | Mad CJ Mac | B♭ Minor | 7 | 3A | 83 BPM | ||
| More Than A Player | 2nd II None | F♯ Minor | 4 | 11A | 104 BPM | ||
| The Rebirth | Kam, Mausberg, DJ Quik, G.P. | D Major | 5 | 10B | 100 BPM | ||
| Mack 10, Mack 10 | Mack 10, All Frum Tha i, The Comrads | B Major | 8 | 1B | 94 BPM | ||
| Goin' Hollywood | Sam Sneed, Jasz, Cornelius 'Slick' Barnes | G Major | 7 | 9B | 91 BPM | ||
| Wet Dream | Wc And The Maad Circle | E Minor | 9 | 9A | 89 BPM | ||
| Buck Tha Devil | Da Lench Mob | D♭ Major | 6 | 3B | 90 BPM | ||
| Head & Shoulders | Dru Down | G Major | 7 | 9B | 97 BPM | ||
| The Creator | Wc And The Maad Circle | C Minor | 5 | 5A | 178 BPM | ||
| Lil' Somethin' Somethin' | Foesum | B♭ Minor | 6 | 3A | 126 BPM | ||
| 500 Mobsters | Dru Down | A♭ Major | 8 | 4B | 90 BPM | ||
| Hit The Chaw | South Central Cartel, Endacut, Aurelia | B♭ Minor | 7 | 3A | 92 BPM | ||
| Put Your Locs On | DFC | D♭ Minor | 7 | 12A | 106 BPM | ||
| All Day Everyday | South Central Cartel, Young Prodeje | F Minor | 7 | 4A | 88 BPM | ||
| Strickly 4 Gb | The Relativez | E Minor | 7 | 9A | 99 BPM | ||
| The Boone Docks | New Breed of Hustlas | C Major | 8 | 8B | 90 BPM | ||
| I'll Smoke to That | LBC Crew, Snoop Dogg | F♯ Minor | 5 | 11A | 101 BPM | ||
| 16 Times | Kausion | D♭ Major | 8 | 3B | 100 BPM | ||
| C-Sick | Bloods & Crips | G Major | 5 | 9B | 91 BPM | ||
| Deal Went Bad | Dru Down | B Minor | 6 | 10A | 94 BPM |