"Venice" by Hans Zimmer had its release date on October 14, 2016. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Hans Zimmer's "Inferno (Original Motion Picture Soundtrack)" album is number 6 out of 17. On top of that, United States appears to be the country where this track was created. The popularity of Venice is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Venice by Hans Zimmer to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
| A Good Life...Good Enough / End Titles | Christopher Drake | G Minor | 3 | 6A | 103 BPM | ||
| El Segundo Encuentro | Fernando Velázquez | A Major | 1 | 11B | 89 BPM | ||
| Off the Road | Abel Korzeniowski | D Minor | 2 | 7A | 131 BPM | ||
| Revenge | Daniel Pemberton | C Minor | 2 | 5A | 77 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| At The Hairdressers | John Powell | B Minor | 0 | 10A | 102 BPM | ||
| Resentment | Ilan Eshkeri | G Major | 1 | 9B | 94 BPM | ||
| Five Senses | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Goodbye to Hawk | Ryuichi Sakamoto | E Minor | 0 | 9A | 61 BPM | ||
| Langurs of Jodhpur | Hans Zimmer, Jacob Shea, Jasha Klebe | G Minor | 3 | 6A | 116 BPM | ||
| Seppuku | Ilan Eshkeri | F Major | 3 | 7B | 114 BPM | ||
| The Wrong Flat | Carly Paradis | D♭ Major | 1 | 3B | 135 BPM | ||
| Survive or Surrender | Nick Cave & Warren Ellis | E♭ Major | 1 | 5B | 66 BPM | ||
| Paciencia Necesaria | Casualidades Del Destino | A Minor | 0 | 8A | 102 BPM | ||
| All That Is Good | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| Tarsis Nights | Sarah Schachner | F Major | 3 | 7B | 58 BPM | ||
| Maria Altman | Martin Phipps | G Minor | 2 | 6A | 87 BPM | ||
| Rescue Mission | Tyler Bates, Lisa Papineau | A Major | 2 | 11B | 120 BPM | ||
| Maybe You Killed Her | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Sunshine (Adagio in D Minor) | John Murphy | G Major | 4 | 9B | 119 BPM | ||
| My Boys, I Cannot See Them | Fernando Velázquez | A Minor | 2 | 8A | 99 BPM | ||
| Angel On The Wing | Rupert Gregson-Williams | G Minor | 2 | 6A | 58 BPM | ||
| Dutch Island Fugue | Ilan Eshkeri | G Major | 8 | 9B | 135 BPM | ||
| The Hunter | Matteo Zingales, Michael Lira, Andrew Lancaster | F♯ Minor | 1 | 11A | 142 BPM |