Kishore Kumar, Lata Mangeshkar, Laxmikant–Pyarelal's ' "Din Maheene Saal" was released on its scheduled release date, November 3, 1983. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 2 out of 6 in Avtaar by Laxmikant–Pyarelal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Din Maheene Saal is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Din Maheene Saal by Kishore Kumar, Lata Mangeshkar, Laxmikant–Pyarelal is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beete Huye Lamhon Ki Kasak | Mahendra Kapoor | E♭ Major | 2 | 5B | 106 BPM | ||
| Faza Bhi Hai Jawan - I | Salma Agha | A Major | 3 | 11B | 141 BPM | ||
| Agar Tum Na Hote - Female Version | R. D. Burman, Lata Mangeshkar | B Minor | 6 | 10A | 123 BPM | ||
| Kitne Phool | Bappi Lahiri, Kishore Kumar | F♯ Minor | 10 | 11A | 98 BPM | ||
| O Hare Dupattewali | Vipin Sachdeva | F Major | 8 | 7B | 93 BPM | ||
| Ek Din Tum Bahut Bade Banoge | Hemlata, Shailendra Singh, Ravindra Jain | E Major | 3 | 12B | 174 BPM | ||
| Raahi Matwale | Talat Mahmood, Suraiya | A♭ Major | 3 | 4B | 75 BPM | ||
| Do Raaste | Mukesh, Laxmikant–Pyarelal | A♭ Major | 5 | 4B | 82 BPM | ||
| Ankhon Ankhon Mein | Asha Bhosle, Kishore Kumar, Kalyanji-Anandji | G Major | 5 | 9B | 105 BPM | ||
| So Gaya Yeh Jahan | Nitin Mukesh, Alka Yagnik, Shabbir Kumar | E Major | 5 | 12B | 142 BPM | ||
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM | ||
| Bekhudi Ka Bada Sahara Hai | S. P. Balasubrahmanyam, Laxmikant–Pyarelal | F♯ Major | 5 | 2B | 101 BPM | ||
| Yeh Lo Main Haari Piya | Geeta Dutt, Majrooh Sultanpuri | E♭ Major | 5 | 5B | 83 BPM | ||
| Tu Lage Chand Ka Tukda | Vipin Sachdeva | A♭ Minor | 7 | 1A | 124 BPM | ||
| Main Solah Baras Ki | Lata Mangeshkar, Kishore Kumar, Laxmikant–Pyarelal | D♭ Minor | 6 | 12A | 87 BPM | ||
| Kasme Wade Pyar Wafa | Manna Dey, Kalyanji-Anandji | C Major | 3 | 8B | 92 BPM | ||
| Tu Kal Chala Jayega | Manhar Udhas, Mohammed Aziz, Laxmikant–Pyarelal | A♭ Minor | 8 | 1A | 151 BPM | ||
| Thare Vaste Re Dhola (From "Batwara") | Anuradha Paudwal, Alka Yagnik, Kavita Krishnamurthy | A Minor | 8 | 8A | 110 BPM | ||
| Tum Mere Ho | Udit Narayan, Anupama | G Minor | 4 | 6A | 152 BPM | ||
| Le Le Chumma Le Le | Kavita Krishnamurthy, Laxmikant–Pyarelal | G Minor | 7 | 6A | 115 BPM | ||
| Dekho Pyar Men Aesa Nahin Karte | Amit Kumar, Alka Yagnik | G Major | 4 | 9B | 80 BPM | ||
| Aankhon Aankhon Mein | Suman Kalyanpur | F Minor | 4 | 4A | 171 BPM | ||
| Chanchal Sheetal Nirmal Komal | Mukesh, Zeenat Aman, Laxmikant–Pyarelal | A Major | 3 | 11B | 140 BPM | ||
| Main Tere Pyar Mein Pagal | Kishore Kumar, Lata Mangeshkar, Laxmikant–Pyarelal | A Minor | 7 | 8A | 89 BPM | ||
| Koi Kya Kare | K. J. Yesudas, Laxmikant–Pyarelal | D Minor | 3 | 7A | 122 BPM |