Doc Watson's ' "We'll Work 'Til Jesus Comes" was released on its scheduled release date, August 1, 1990. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. We'll Work 'Til Jesus Comes's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "On Praying Ground". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, We'll Work 'Til Jesus Comes's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With We'll Work 'Til Jesus Comes by Doc Watson having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Won't You Come and Sing for Me? - 2021 Remaster | Hazel Dickens, Alice Gerrard | A Major | 6 | 11B | 174 BPM | ||
| There Ain't Nobody Gonna Miss Me When I'm Gone | The Kentucky Colonels | C Major | 7 | 8B | 121 BPM | ||
| Blackberry Blossom | Doc Watson | D Major | 5 | 10B | 132 BPM | ||
| Old Riverman | The Nashville Bluegrass Band | B Minor | 3 | 10A | 120 BPM | ||
| Talking Banjo | Buzz Busby | G Major | 6 | 9B | 82 BPM | ||
| Rocky Road To Dublin | Chance McCoy & The Appalachian String Band | D Major | 7 | 10B | 133 BPM | ||
| Old Mountain Dew | The Delmore Brothers | F Minor | 2 | 4A | 143 BPM | ||
| Wildwood Flower | The Carter Family | D♭ Major | 4 | 3B | 134 BPM | ||
| Midnight On The Stormy Deep | Tony Rice Unit | E Major | 4 | 12B | 139 BPM | ||
| All Aboard | The Del McCoury Band | G Major | 7 | 9B | 126 BPM | ||
| In Tall Buildings | John Hartford | A Major | 4 | 11B | 123 BPM | ||
| Barbara Allen | Bradley Kincaid | D♭ Major | 0 | 3B | 89 BPM | ||
| Jay Gould's Daughter | Nora Brown | E♭ Major | 3 | 5B | 103 BPM | ||
| Nellie Kane | Hot Rize | E Major | 5 | 12B | 123 BPM | ||
| Old Joe Clark | Doc Watson, Merle Watson, Sam Bush, Marty Stuart, T. Michael Coleman, Alan O'Bryant | D Major | 8 | 10B | 136 BPM | ||
| The Dying Cowboy | Cisco Houston | A♭ Major | 0 | 4B | 92 BPM | ||
| Shoot The Dog | Alison Brown | G Minor | 6 | 6A | 150 BPM | ||
| Rudee Down in New Orleans | Blaze Foley | D♭ Major | 1 | 3B | 150 BPM | ||
| Shadows In My Room | Hot Rize | G Major | 4 | 9B | 126 BPM | ||
| Ruben's Train | David Holt, Doc Watson | F♯ Minor | 2 | 11A | 116 BPM | ||
| You'll Get Yours Aplenty | Blaze Foley | G Major | 2 | 9B | 85 BPM | ||
| There Is a Time - Recorded at the Mecca, Los Angeles | The Dillards | D Minor | 6 | 7A | 133 BPM | ||
| Passin' through | The Deslondes, Riley Downing | D♭ Major | 2 | 3B | 113 BPM | ||
| Weary Blues | Doc Watson, Merle Watson | F♯ Minor | 2 | 11A | 98 BPM | ||
| Down The Road | Doc Watson, Merle Watson, Sam Bush, Marty Stuart, T. Michael Coleman, Alan O'Bryant | A Major | 7 | 11B | 109 BPM |