Janoska Ensemble's 'J.S. Bach: Concerto for 2 Violins in D Minor, BWV 1043 (Arr. Janoska Ensemble): I. Vivace' had a release date set for August 5, 2022. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Big B's". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Austria. In terms of popularity, J.S. Bach: Concerto for 2 Violins in D Minor, BWV 1043 (Arr. Janoska Ensemble): I. Vivace is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With J.S. Bach: Concerto for 2 Violins in D Minor, BWV 1043 (Arr. Janoska Ensemble): I. Vivace by Janoska Ensemble having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
| En Mi Menor, Mi Menor Conga | Daniela Padrón, Olga López | F Major | 0 | 7B | 105 BPM | ||
| Theme from “Schindler’s List” | Cocomi, 東 亮汰, 田原綾子, Haruma Sato | D Minor | 0 | 7A | 92 BPM | ||
| Romanian Folk Dances in Janoska Style: V. Poarga românesca | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
| Sabre Dance | Aram Khachaturian, Lakatos | D Major | 7 | 10B | 115 BPM | ||
| Piazzolla / Arr. Carli: Concierto del Ángel: II. La muerte del Ángel | Die 12 Cellisten der Berliner Philharmoniker | G Minor | 1 | 6A | 129 BPM | ||
| Bottesini: Double Bass Concerto in B Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | G Major | 1 | 9B | 167 BPM | ||
| Kroll: Banjo and Fiddle | William Kroll, Augustin Hadelich, Orion Weiss | A Major | 2 | 11B | 160 BPM | ||
| Schwedische Weisen und Tänze, Op. 6 (Arr. for Nyckelharpa and Piano Trio by Trio Ernest and Éléonore Billy): No. 4, Allegro non troppo | Amanda Maier, Julius Röntgen, Trio Ernest, Éléonore Billy | D Major | 3 | 10B | 124 BPM | ||
| 5 Pieces for 2 Violins & Piano (After D. Shostakovich): No. 1, Prelude | Lev Atovmyan, Rudens Turku, Lena Neudauer, Yumiko Urabe | D Minor | 1 | 7A | 119 BPM | ||
| 2 Songs for My Kids (Version for Cello & String Orchestra): No. 2, Natalie's Waltz | Alexey Shor, Dmitry Yablonsky, Kyiv Virtuosi, Sergey Smbatyan | E Minor | 2 | 9A | 96 BPM | ||
| Concerto for Violin and Orchestra (To the memory of my mother): III. Allegro, ma non troppo | Ina Boyle, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | A Minor | 2 | 8A | 76 BPM | ||
| 3.Fantasioso (3 Valses Líricos) | Claudio Constantini | D Major | 5 | 10B | 67 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: IV. Finale con brio | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Lieder ohne Worte, Op. 102: No. 4 Andante (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 119 BPM | ||
| Gymnopédie No. 1 (Arr. C. Thomas for Cello and Piano) | Erik Satie, Camille Thomas, Julien Brocal | A Minor | 2 | 8A | 92 BPM | ||
| 6 Pieces, Op. 7: 1. Love Song (Arr. Kocián for Violin and Piano) | Josef Suk, Janine Jansen, Antonio Pappano | A♭ Major | 2 | 4B | 101 BPM | ||
| Paganini Jazz, Op. 5c | Fazıl Say | A Minor | 4 | 8A | 64 BPM | ||
| Serenade, H. 23 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
| Requiem, Op. 66 (version for 3 cellos and piano) | David Popper, Martin Rummel, Alexander Hülshoff, Bertin Christelbauer, Mari Kato | E♭ Major | 1 | 5B | 88 BPM | ||
| Danse Hongroise N°1 en Sol Mineur | Johannes Brahms, Laurent Korcia | G Minor | 3 | 6A | 125 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 4 in E Minor: III. Finale | Eugène Ysaÿe, Hilary Hahn | G Major | 2 | 9B | 120 BPM | ||
| Andalouse, Op. 20 No. 8 | Emile Pessard, Amy Dickson, Daniel de Borah | F♯ Minor | 0 | 11A | 74 BPM | ||
| String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Streichquartett der Staatskapelle Berlin | C Major | 0 | 8B | 77 BPM | ||
| Praeludium and Allegro (In the Style of Pugnani) - Instrumental | Midori, Robert McDonald | E Minor | 1 | 9A | 84 BPM |