"No More" by Billie Holiday had its release date on January 1, 1956. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. No More's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "The Lady Sings". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Based on our statistics, No More's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With No More by Billie Holiday having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Cried For You | Billie Holiday | F Minor | 3 | 4A | 111 BPM | ||
| That Ole Devil Called Love | Billie Holiday | F Minor | 1 | 4A | 68 BPM | ||
| It Had To Be You | Betty Hutton, Robert Norberg | B♭ Minor | 1 | 3A | 97 BPM | ||
| Yesterdays | Helen Merrill | D Minor | 1 | 7A | 120 BPM | ||
| Ain't Missbehavin' | Fats Waller | C Minor | 3 | 5A | 98 BPM | ||
| Looking at You | Lee Wiley | C Minor | 2 | 5A | 118 BPM | ||
| This Year's Kisses (01-25-37) | Teddy Wilson | C Minor | 2 | 5A | 100 BPM | ||
| He's My Guy | Sarah Vaughan, Clifford Brown | B♭ Major | 3 | 6B | 133 BPM | ||
| Booze and Blues | Ma Rainey | C Minor | 2 | 5A | 118 BPM | ||
| Strange Things Happening Every Day | Fern Jones | F Minor | 8 | 4A | 148 BPM | ||
| The Glory of Love | Jimmy Durante | F Major | 3 | 7B | 97 BPM | ||
| Hey There | Sammy Davis Jr. | F Major | 2 | 7B | 135 BPM | ||
| Do Nothin' Till You Hear From Me - 1956 Version | Billie Holiday | C Minor | 1 | 5A | 67 BPM | ||
| Blue Devil Blues | Walter Page's Blue Devils | E♭ Major | 2 | 5B | 104 BPM | ||
| Exactly Like You | Martha Tilton, The Carl Kresstette | A♭ Major | 2 | 4B | 149 BPM | ||
| Autumn Serenade | John Coltrane, Johnny Hartman | F Minor | 2 | 4A | 115 BPM | ||
| My Sweet Hunk O' Trash | Billie Holiday, Louis Armstrong | C Minor | 2 | 5A | 118 BPM | ||
| Ballroom Foxtrot | John Leighton | G Major | 3 | 9B | 120 BPM | ||
| Our Love Is Here To Stay | Johnny Hartman | C Major | 3 | 8B | 111 BPM | ||
| Daddy's Got Woo Woo In His Eyes | Tony Di Pardo | F Minor | 1 | 4A | 168 BPM | ||
| Call Me Irresponsible - From "Papa's Delicate Condition" / Remastered 1992 | Bobby Darin | G Major | 2 | 9B | 125 BPM | ||
| Things Ain't What They Used To Be - 1995 Remastered | Johnny Hodges & His Orchestra | D♭ Major | 1 | 3B | 89 BPM | ||
| I Hear Music | Dakota Staton | F Minor | 5 | 4A | 96 BPM | ||
| Weep No More | Billie Holiday, The Stardusters | B♭ Major | 1 | 6B | 81 BPM | ||
| Artificial Flowers | Bobby Darin | B♭ Major | 6 | 6B | 175 BPM |