Ayub Khan's ' "Charkha" was released on its scheduled release date, August 13, 2021. This song is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The song is number 101 out of 158 in Backpack Studio: Season 2 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Charkha is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Charkha by Ayub Khan is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mili Hai Mohe Tagdi Nari | Brijesh Shastri | B♭ Minor | 5 | 3A | 112 BPM | ||
| Naari Ki Preet Buri | Surjan chaitanya | D♭ Major | 9 | 3B | 81 BPM | ||
| Bole Mera Satguru Amritvani | Bhajnanand Ji Maharaj | A♭ Major | 7 | 4B | 88 BPM | ||
| SABAL SINGH RANA | Ashu Verma | E Major | 9 | 12B | 98 BPM | ||
| Banisa Ri Lal Bangdi | Fakira Khan | F Major | 5 | 7B | 78 BPM | ||
| mhari helli satsang Bhajan | Sant Bhajana Nand | A Major | 8 | 11B | 155 BPM | ||
| Nirgun bhajan suresh awasthi 1to02 - hindi | Suresh CHANDRA | F Major | 7 | 7B | 83 BPM | ||
| More Bole Re | Nek Mohmd | B Major | 5 | 1B | 78 BPM | ||
| Gar Tughea Jarurat Noker Ki | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | F Major | 9 | 7B | 135 BPM | ||
| Kaye Baithe Mann Maare | Deshraj Pateriya, Savita Parwati, Ramkripal Ray | E♭ Major | 7 | 5B | 148 BPM | ||
| Kalsh Me Kala | Nimbaram Dewasi Party | A Major | 5 | 11B | 85 BPM | ||
| Mori Kherapati | Manish Agrawal | D♭ Major | 7 | 3B | 180 BPM | ||
| Bundeli Bidai Geet Aai Bidai Ki Biriya doli Uthao | Soniya Studio, Mohan Kushwaha Arvindra | G Major | 9 | 9B | 148 BPM | ||
| Ye Duniya Kabhi Na Hui Kisi Ki | Pt. Gyanendra Sharma | B♭ Major | 7 | 6B | 98 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Sanwara Kyu Kariyo Khati | Ramniwas Rao | G Major | 6 | 9B | 104 BPM | ||
| Tujh Pe Marta Hoon | Chhote Majid Shola | B♭ Major | 6 | 6B | 119 BPM | ||
| Mhara Bhai Sone Ra | Khanak | G Major | 7 | 9B | 136 BPM | ||
| Jago Krishna Kanheiya Jago | Chugge Khan | F♯ Major | 7 | 2B | 103 BPM | ||
| Ek Din Nari Piya Se | Brijesh Shastri | F Minor | 8 | 4A | 134 BPM | ||
| Biriyagad Sangram (Part-2) | Surjan chaitanya | B♭ Major | 4 | 6B | 101 BPM | ||
| Fir Kon Bigarega Jab Ram Sahara Hai | Rajeev Singh | E Minor | 5 | 9A | 175 BPM | ||
| Vitthala Vitthala Hari Vitthala | Sri Sathya Sai Bhajans | G Minor | 3 | 6A | 74 BPM | ||
| Meri Barbadi Ka Ab Jashan | Attaullah Khan | D Major | 7 | 10B | 108 BPM | ||
| Chitrakoot Mein Divari Deepdan Mahima Bundeli Bhajan | Chandra Bhushan Pathak | D♭ Major | 8 | 3B | 139 BPM |