Mario Andretti Bus Driver Man - Back That Azz Up Remix Live
Darwin's Waiting Room
Apology Accepted
3:27 January 1, 2003
BPM
97
Key
A Minor
Camelot
8A

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Mario Andretti Bus Driver Man - Back That Azz Up Remix Live by Darwin's Waiting Room Song Details

Darwin's Waiting Room's ' "Mario Andretti Bus Driver Man - Back That Azz Up Remix Live" was released on its scheduled release date, January 1, 2003. Mario Andretti Bus Driver Man - Back That Azz Up Remix Live is considered explicit and may contain foul language. This song is about 3 minutes and 27 seconds, which is about the average length of a typical song. The song is number 24 out of 24 in Apology Accepted by Darwin's Waiting Room. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Mario Andretti Bus Driver Man - Back That Azz Up Remix Live is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

The tempo marking of Mario Andretti Bus Driver Man - Back That Azz Up Remix Live by Darwin's Waiting Room is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Music Key

A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-4.853 dB
Acousticness
5%
Danceability
35%
Energy
95%
Instrumentalness
0%
Liveness
95%
Loudness
92%
Speechiness
26%
Valence
55%

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ISRC
GBLPF2525146
Label
L-M Records/RCA Records