On December 15, 1992, the song "Labat Bekhandeh" was released by Bahman. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bahman's "Khaterate Gozashteh Vol. 1" album is number 11 out of 11. On top of that, United States appears to be the country where this track was created. Labat Bekhandeh is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Labat Bekhandeh by Bahman to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Potbury Three (Ey yar-e-man, Saraab, Del-e-koucholo) | Anoushirvan Rohani | E Minor | 3 | 9A | 82 BPM | ||
| Ah İstanbul - Enstrümantal | Onur Asım Şenocak | G Minor | 5 | 6A | 136 BPM | ||
| Remba - Acoustic Version | Ottmar Liebert | D Minor | 5 | 7A | 108 BPM | ||
| Tasnif Doude Oud | Parviz Meshkatian, Mohammad-Reza Shajarian | C Minor | 3 | 5A | 67 BPM | ||
| Soundtrack of Strangers, Pt. 10 | Peyman Yazdanian | A Minor | 3 | 8A | 108 BPM | ||
| Rhapsodye Esfahan | Javad Maroufi | G Minor | 2 | 6A | 127 BPM | ||
| Morning Tune of the Gypsy | Mazdak Kouhestani | E Minor | 5 | 9A | 110 BPM | ||
| Maashoogh | Shakila | B♭ Minor | 2 | 3A | 112 BPM | ||
| Lounge Cafe | Galry | A Minor | 5 | 8A | 75 BPM | ||
| Yemen Türküsü - Turkey | Ismael Ounal | F Major | 4 | 7B | 208 BPM | ||
| Entezar | Nasser Cheshmazar | A Minor | 3 | 8A | 172 BPM | ||
| In Love | Kiyarash Sanjarani Vahed | D Major | 6 | 10B | 120 BPM | ||
| Kasbah Kiss | Oud Reverb | A Minor | 5 | 8A | 113 BPM | ||
| Gol e Goldun e man | Behrad Aria, Simin Ghanem | G Minor | 1 | 6A | 91 BPM | ||
| Piel Morena | Moreza | D Minor | 7 | 7A | 120 BPM | ||
| Desert Night | Mohammad-Reza Shajarian | D Major | 4 | 10B | 176 BPM | ||
| Parastoo | Bahman | A Minor | 2 | 8A | 179 BPM | ||
| صنما | این و آن بند | B Minor | 7 | 10A | 128 BPM | ||
| Emshab Dar Sar Shoori Daram | Mohsen Karbassi | F♯ Minor | 1 | 11A | 143 BPM | ||
| Shekare Ahoo | Mohsen Karbassi | D Minor | 4 | 7A | 100 BPM | ||
| Esarat | Majid Entezami | G Major | 3 | 9B | 100 BPM | ||
| Caucasus, Pt. 8 | Afshar Namvar, Firouz Veysanlou | C Minor | 1 | 5A | 86 BPM | ||
| Before the Taxi Comes | Tessa Rookey | A Minor | 5 | 8A | 75 BPM | ||
| Gol Sangam | Sattar | F♯ Major | 3 | 2B | 118 BPM | ||
| Gracias Padre | Josef de Salian | G Minor | 9 | 6A | 90 BPM |