"Back To Oblivion" by Finch had its release date on September 30, 2014. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 12 in Back To Oblivion by Finch. The popularity of Back To Oblivion is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Back To Oblivion by Finch is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ink | Finch | D♭ Minor | 9 | 12A | 165 BPM | ||
| A Moment Suspended In Time | Underoath | D Minor | 10 | 7A | 176 BPM | ||
| The Art Of Sharing Lovers | A Static Lullaby | D Major | 9 | 10B | 91 BPM | ||
| Modern Morbid Prophecies | Dead Poetic | B Major | 9 | 1B | 190 BPM | ||
| Play Dead | Finch | A♭ Minor | 7 | 1A | 137 BPM | ||
| What's It Feel Like To Be A Ghost? | Taking Back Sunday | B Major | 9 | 1B | 74 BPM | ||
| What It Is To Burn | Finch | D♭ Major | 7 | 3B | 150 BPM | ||
| We Are Always Searching | I Am Ghost | D Minor | 10 | 7A | 106 BPM | ||
| Everything We Were Has Become What We Are | Amber Pacific | F♯ Major | 10 | 2B | 110 BPM | ||
| A Pistol To My Temple | Scary Kids Scaring Kids | A Major | 10 | 11B | 102 BPM | ||
| Error Operator | Taking Back Sunday | E♭ Minor | 9 | 2A | 167 BPM | ||
| It's Dangerous Business Walking Out Your Front Door | Underoath | A Minor | 10 | 8A | 135 BPM | ||
| Beneath the Silver Strand | Hawthorne Heights | F♯ Major | 9 | 2B | 147 BPM | ||
| Top 5 Addictions | Hidden In Plain View | E Major | 10 | 12B | 128 BPM | ||
| Time To Waste | Alkaline Trio | G Major | 7 | 9B | 119 BPM | ||
| Answers | Hundred Reasons | G Major | 9 | 9B | 92 BPM | ||
| Without You Here | Finch | A♭ Major | 6 | 4B | 77 BPM | ||
| They Don't Have Any Friends | Taking Back Sunday | B Major | 9 | 1B | 162 BPM | ||
| Tremble | Cauterize | F Minor | 10 | 4A | 93 BPM | ||
| Kill Your Own | Hundred Reasons | C Major | 10 | 8B | 127 BPM | ||
| Four Wall Blackmail - Dead Poetic Album Version | Dead Poetic | D Major | 8 | 10B | 142 BPM | ||
| Three Evils (Embodied in Love and Shadow) | Coheed and Cambria | B Minor | 10 | 10A | 167 BPM | ||
| This Is Who We Are | Hawthorne Heights | E Minor | 9 | 9A | 113 BPM | ||
| Finding Home | Saosin | D Major | 9 | 10B | 100 BPM | ||
| Smoke and Mirrors | The Receiving End Of Sirens | C Minor | 9 | 5A | 130 BPM |