Jack Rose's ' "Flirtin' With The Undertaker" was released on its scheduled release date, August 30, 2005. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Flirtin' With The Undertaker's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jack Rose's "Kensington Blues" album is number 7 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, Flirtin' With The Undertaker is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Flirtin' With The Undertaker by Jack Rose to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cloud Corner | Marisa Anderson | E Major | 5 | 12B | 142 BPM | ||
| Night Time Vineyards | James Blackshaw | E Major | 3 | 12B | 114 BPM | ||
| The Evening Redness in the West | Forest Wilson | A Major | 2 | 11B | 143 BPM | ||
| Jesus Is A Dying Bedmaker | John Fahey | G Major | 2 | 9B | 89 BPM | ||
| Buck Creek Girls | Nora Brown | C Major | 5 | 8B | 131 BPM | ||
| Double Stops | Julian Lage | F♯ Major | 1 | 2B | 110 BPM | ||
| Big-Eyed Rabbit | Matokie Slaughter | F Minor | 4 | 4A | 141 BPM | ||
| Horns | Hayden Pedigo | C Major | 1 | 8B | 95 BPM | ||
| Lisboa | Six Organs Of Admittance | G Major | 1 | 9B | 143 BPM | ||
| Struttin' Rag | Stefan Grossman | D♭ Minor | 1 | 12A | 97 BPM | ||
| Ghost Dance | DBH | B♭ Major | 4 | 6B | 190 BPM | ||
| Miss May's Place | Jack Rose | D Major | 5 | 10B | 118 BPM | ||
| Bergen County Farewell | Glenn Jones | C Major | 3 | 8B | 105 BPM | ||
| Land of Plenty | Bill MacKay, Ryley Walker | D♭ Minor | 5 | 12A | 158 BPM | ||
| Tex | Jack Rose | F♯ Major | 8 | 2B | 104 BPM | ||
| The Last Steam Engine Train | John Fahey | B Major | 3 | 1B | 102 BPM | ||
| Sally Goodin | Pharis & Jason Romero | F Major | 4 | 7B | 92 BPM | ||
| Bat | Ben Morgan-Brown | E♭ Minor | 3 | 2A | 132 BPM | ||
| The Lark in the Morning | Junior Brother | G Major | 3 | 9B | 115 BPM | ||
| Cathedral et Chartres | Jack Rose | G Minor | 5 | 6A | 122 BPM | ||
| It Was All Sackcloth and Ashes | Gwenifer Raymond | E Minor | 3 | 9A | 125 BPM | ||
| Black Eyed Susan | Shane Parish | C Minor | 3 | 5A | 77 BPM | ||
| The Jensens (2011) | Phil Cook | A Major | 2 | 11B | 110 BPM | ||
| Back Porch Stomp | Etta Baker | G Major | 7 | 9B | 109 BPM | ||
| Above A Desert I've Never Seen | Six Organs Of Admittance | C Major | 3 | 8B | 95 BPM |