Pat Reedy's ' "Bright Lights" was released on its scheduled release date, March 21, 2024. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Pat Reedy's "Make It Back Home" album is number 2 out of 12. The popularity of Bright Lights is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bright Lights by Pat Reedy to be Vivace (lively and fast) because the track has a tempo of 168 BPM, a half-time of 84BPM, and a double-time of 336 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost Angel Saloon | The Barlow | G Major | 7 | 9B | 125 BPM | ||
| Gulf Prairie Blues | Wesley Hanna | D Major | 5 | 10B | 133 BPM | ||
| Cry On THe Bayou | Jason James | B Major | 8 | 1B | 155 BPM | ||
| Clay Pigeons | Dylan Earl | C Major | 6 | 8B | 133 BPM | ||
| On the Banks of the Old Guadalupe | Vincent Neil Emerson | E Major | 6 | 12B | 100 BPM | ||
| Loving Trust | CARLOS RENE SEW | G Major | 8 | 9B | 105 BPM | ||
| Charms & Letters | JP Harris | D Major | 5 | 10B | 158 BPM | ||
| If I Was a Candle | Eleven Hundred Springs | E Major | 7 | 12B | 132 BPM | ||
| These Empty Arms of Mine | The Broken Spokes | E Major | 4 | 12B | 99 BPM | ||
| Bloody Mary Morning | Vincent Neil Emerson | A Major | 8 | 11B | 131 BPM | ||
| Prison In My Mind | Ellis Bullard | B Minor | 7 | 10A | 173 BPM | ||
| Too Late to Call it a Night | Bar Jay Bar | G Major | 6 | 9B | 126 BPM | ||
| Greatest Hits | Emily Nenni | E Major | 6 | 12B | 81 BPM | ||
| You Don't Have To Tell Me Again | Pat Reedy | G Major | 6 | 9B | 158 BPM | ||
| See for Yourself | The Far West | C Major | 8 | 8B | 139 BPM | ||
| Someday, Not Today | The Broken Spokes | E Major | 4 | 12B | 99 BPM | ||
| Granny's Cutlass Supreme | Hannah Juanita, Riley Downing | G Major | 7 | 9B | 134 BPM | ||
| Suzuki XL7 | Nolan Lunsford | G Major | 7 | 9B | 160 BPM | ||
| If You’ll Be Mine | Jake Penrod | A Major | 8 | 11B | 110 BPM | ||
| Lincoln | KC Cameron | A Major | 8 | 11B | 74 BPM | ||
| Hopeless Waltz (Gina Walker) | Ellis Bullard | B Minor | 7 | 10A | 173 BPM | ||
| Ringin' In My Ears | The Cropdusters Band | G Major | 8 | 9B | 105 BPM | ||
| No Room | Conrad Moore | B♭ Minor | 5 | 3A | 119 BPM | ||
| Wishing Well | Josh Morningstar | A Major | 3 | 11B | 75 BPM | ||
| Neon Rose | Tanner Burch | G Major | 8 | 9B | 105 BPM |