"Symphony #6" by Various World Reknowed Orchestras And Conductors had its release date on January 1, 2006. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony #6 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony #6 by Various World Reknowed Orchestras And Conductors is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La Fille Mal Gardée | Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden | G Minor | 2 | 6A | 79 BPM | ||
| Ball-Szene | Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme Järvi | B Major | 3 | 1B | 116 BPM | ||
| Don Juan: IV. Divertissement No. 2 (After Mozart's K. 421) | Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi | F Major | 0 | 7B | 87 BPM | ||
| Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
| Spanish Dance (Swan Lake) | Various World Reknowed Orchestras And Conductors | F Major | 3 | 7B | 132 BPM | ||
| Binge: Elizabethan Serenade, "The Man in the Street" | Ronald Binge, Reginald Kilbey, Studio 2 Symphony Orchestra | F Major | 1 | 7B | 149 BPM | ||
| Echoes of Day | Nuit | G Major | 5 | 9B | 104 BPM | ||
| Roses From The South | Various World Reknowed Orchestras And Conductors | B♭ Major | 2 | 6B | 163 BPM | ||
| Militant Beauty | Danke Timi Briggs | B♭ Major | 2 | 6B | 152 BPM | ||
| Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | F Major | 1 | 7B | 109 BPM | ||
| La Sylphide: Act I: Overture | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | E Major | 1 | 12B | 132 BPM | ||
| La Sylphide: Act I: Pas de deux - Reel | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | F Major | 1 | 7B | 101 BPM | ||
| Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
| Rivulet Of Truth | Danke Timi Briggs | G Minor | 2 | 6A | 121 BPM | ||
| Tales of Beatrix Potter - Music from the Royal Ballet film: The Tale of Jeremy Fisher (extract) | John Lanchbery, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden | C Major | 2 | 8B | 103 BPM | ||
| Les patineurs (Arr. C. Lambert): Pas de deux. Cantabile | Giacomo Meyerbeer, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 0 | 8B | 81 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Frühlingsstimmen (Walzer, Nr.410) | Wiener Philharmoniker | C Minor | 2 | 5A | 139 BPM | ||
| Donausagen, op. 446 | Carl Michael Ziehrer, Vienna Walzer Orchestra, Sandro Cuturello | G Major | 2 | 9B | 96 BPM | ||
| Suite for Variety Orchestra: III. Dance No. 2 | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| España, Op. 236 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | F Major | 3 | 7B | 118 BPM | ||
| Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
| Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
| Don Quixote, Act III: Dream of Don Quixote | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM |