Wolfgang Amadeus Mozart, Martin Stadtfeld's ' "Mozart Variation IV (After 12 Variationen über Ah, vous dirai-je Maman/Morgen kommt der Weihnachtsmann, K.265, Arr. for Piano by Martin Stadtfeld)" was released on its scheduled release date, November 21, 2025. With This song being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 50 out of 66 in Christmas Instrumental Music by Michael Forster, Michael Praetorius, Adolphe Adam, Pyotr Ilyich Tchaikovsky, Wolfgang Amadeus Mozart, Sergei Prokofiev, Antonio Vivaldi, Felix Mendelssohn, George Frideric Handel, Johann Sebastian Bach, Franz Liszt, Gustav Mahler. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Mozart Variation IV (After 12 Variationen über Ah, vous dirai-je Maman/Morgen kommt der Weihnachtsmann, K.265, Arr. for Piano by Martin Stadtfeld) is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Mozart Variation IV (After 12 Variationen über Ah, vous dirai-je Maman/Morgen kommt der Weihnachtsmann, K.265, Arr. for Piano by Martin Stadtfeld) by Wolfgang Amadeus Mozart, Martin Stadtfeld is Presto (very, very fast), since this song has a tempo of 195 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata No. 13, Hob. XVI:6: III. Adagio | Joseph Haydn, Jean-Efflam Bavouzet | B♭ Major | 0 | 6B | 75 BPM | ||
| Études, Op. 25: No. 1 in A Flat Major | Frédéric Chopin, Daniel Barenboim | A♭ Major | 0 | 4B | 73 BPM | ||
| Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
| In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
| Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | ||
| Concerto for Flute and Harp in C Major, KV. 299: II. Andantino | Wolfgang Amadeus Mozart, Jutta Zoff, Johann Walter, Staatskapelle Dresden, Otmar Suitner | B Major | 1 | 1B | 138 BPM | ||
| Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
| Chopin - 6 Chants Polonais, S480/R145: No. 2. Fruhling(Wiosna, Spring) | Joseph Banowetz, Franz Liszt | G Major | 1 | 9B | 108 BPM | ||
| Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
| Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
| Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | E♭ Major | 1 | 5B | 116 BPM | ||
| Cello Concerto No. 1 in G Major: II. Romance. Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 176 BPM | ||
| Mozart: Concerto for 2 Pianos No. 10 in E-Flat Major, K. 365: II. Andante | Wolfgang Amadeus Mozart, Martha Argerich, Alexandre Rabinovitch, Jörg Faerber, Württembergisches Kammerorchester Heilbronn | G Major | 1 | 9B | 83 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
| Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM | ||
| Lieder ohne Worte, Op. 19b: Lieder ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" [Venetian Gondola Song] | Felix Mendelssohn, Péter Nagy | G Major | 0 | 9B | 101 BPM | ||
| Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
| Egmont, Op. 84: Overture | Ludwig van Beethoven, Madeleine Pierard, Claus Obalski, New Zealand Symphony Orchestra, James Judd | F Minor | 1 | 4A | 173 BPM | ||
| Beethoven: Violin Concerto in D Major, Op. 61: III. Rondo. Allegro | Ludwig van Beethoven, Itzhak Perlman, Carlo Maria Giulini, Philharmonia Orchestra | A Minor | 2 | 8A | 113 BPM | ||
| Violin Concerto No. 5 in A Major, K. 219 "Turkish": II. Adagio | Wolfgang Amadeus Mozart, Frank Peter Zimmermann, Symphonieorchester des Bayerischen Rundfunks, Radoslaw Szulc | C Minor | 0 | 5A | 111 BPM | ||
| Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 143 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
| Violin Sonata No. 5 in F Major, Op. 24 "Spring": I. Allegro | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | F Major | 1 | 7B | 147 BPM | ||
| Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Emmanuelle Bertrand, Pascal Amoyel | B♭ Major | 0 | 6B | 89 BPM |