Mohammed Aziz, Laxmikant–Pyarelal's ' "Mere Malik Mere Data" was released on its scheduled release date, April 27, 1990. This song is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The track order of this song in Laxmikant–Pyarelal's "Haatimtai" album is number 6 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Mere Malik Mere Data's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mere Malik Mere Data by Mohammed Aziz, Laxmikant–Pyarelal to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kehna Na Tum Yeh Kisi Se | Salma Agha, Mohammed Aziz | F Minor | 7 | 4A | 134 BPM | ||
| Roop Ki Rani Choron Ka Raja - Rap | Bali, Suneeta Rao, Laxmikant–Pyarelal | A Minor | 7 | 8A | 168 BPM | ||
| Der Khwaja Ki Taraf | Mohammed Aziz | E♭ Major | 1 | 5B | 119 BPM | ||
| Main Aaya Hoon | Bali Brahmbhatt | B Minor | 10 | 10A | 139 BPM | ||
| Commentary Tabussum And Yari Hai Imaan Mera - Zanjeer | Tabassum, Manna Dey, Kalyanji-Anandji | A♭ Major | 7 | 4B | 105 BPM | ||
| Kabhi Patjhad Hai | Mohammed Aziz | A♭ Major | 7 | 4B | 79 BPM | ||
| Kisi Tarah Bhi Nahi | Sukhwinder Singh | B Minor | 9 | 10A | 153 BPM | ||
| Main Ja Rahi Thi | Asha Bhosle, Laxmikant–Pyarelal | B♭ Major | 5 | 6B | 85 BPM | ||
| Dil Kya Chahe | Kishore Kumar, Asha Bhosle, Laxmikant–Pyarelal | D♭ Major | 5 | 3B | 144 BPM | ||
| Jaam Hai Shaam Hai | Anu Malik, Kavita Krishnamurthy | C Major | 7 | 8B | 98 BPM | ||
| Mora Roop Rang | Lata Mangeshkar, Laxmikant–Pyarelal | D♭ Major | 7 | 3B | 153 BPM | ||
| Yeh Chithi | Jayashree | D♭ Minor | 5 | 12A | 137 BPM | ||
| Meri Neend Mera Chain | Nadeem Shravan | A♭ Major | 6 | 4B | 77 BPM | ||
| Kal Bhi Man | Manhar Udhas | B♭ Major | 4 | 6B | 156 BPM | ||
| Raha Gardishon Mein Hardam - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | C Minor | 7 | 5A | 95 BPM | ||
| Lekar Haseen Sham Teri Yaad Aa Gayee | Chandan Dass | A Minor | 6 | 8A | 147 BPM | ||
| Aag Mein Aag Lagaye Yeh Paani | Arun Bakshi | A Minor | 7 | 8A | 76 BPM | ||
| Akhiyaan Taras Rahi Hain | Mohammed Aziz | D♭ Major | 8 | 3B | 138 BPM | ||
| Na Chithiyan Na Koi Sandesa | Shobha Joshi | E♭ Major | 5 | 5B | 74 BPM | ||
| Mere Dushman - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | D Minor | 9 | 7A | 175 BPM | ||
| Tu Kahan Kahan Ye Bata | Vinod Rathod | G Minor | 7 | 6A | 125 BPM | ||
| Duniya Ne Mera Sab Kuch | Mohammed Aziz, Mangal Singh | D♭ Minor | 6 | 12A | 98 BPM | ||
| Deewane Tere Naam Ke | Sukhwinder Singh, Laxmikant–Pyarelal | E♭ Major | 6 | 5B | 132 BPM | ||
| Ishq Gar Hai Jurm To | Altaf Raja | A♭ Major | 5 | 4B | 168 BPM | ||
| Chal Musafir Chal-Pradeep | Pradeep Kumar | D♭ Minor | 2 | 12A | 107 BPM |