"Heavy Boots" by Dominik Scherrer had its release date on June 15, 2015. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Heavy Boots's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Ripper Street (Original Television Soundtrack)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Heavy Boots's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Heavy Boots by Dominik Scherrer having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Golden Hour | Miljan Minic, Chords And Hearts | C Minor | 0 | 5A | 74 BPM | ||
| Esther Williams | Jon Brion | E Major | 2 | 12B | 158 BPM | ||
| Adore | Christopher Gordon | D♭ Major | 2 | 3B | 109 BPM | ||
| Kissing Through Glass | Angelo Badalamenti | C Major | 2 | 8B | 69 BPM | ||
| Out of Touch | Laurent Dury | G Minor | 2 | 6A | 82 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| The Weight of One Man's Heart | Dominik Scherrer | E Minor | 1 | 9A | 133 BPM | ||
| Amsterdam (Opening) | Daniel Pemberton | B♭ Minor | 4 | 3A | 90 BPM | ||
| Lanterns | Stuart Earl | D Minor | 2 | 7A | 50 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| Counting the Days | Jordan Seigel | D Major | 2 | 10B | 66 BPM | ||
| The First Kiss | George Fenton | D Major | 0 | 10B | 91 BPM | ||
| The Costume Institute | Ian Hultquist, Sofia Hultquist, Sofia degli Alessandri | A♭ Major | 1 | 4B | 100 BPM | ||
| Journey of the King Fish | BBC Concert Orchestra, Sarah Class | B Major | 6 | 1B | 87 BPM | ||
| Sinister Overture | Dark Orchestral Music | D Minor | 0 | 7A | 104 BPM | ||
| The Murder at the Vicarage - A Summer's Day | Dominik Scherrer | F Major | 2 | 7B | 97 BPM | ||
| Treatise on Friendship | Julia Newman | G Minor | 1 | 6A | 86 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM | ||
| Bag Of Bones | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Composure | Naoki”naotyu-”Chiba | G Minor | 2 | 6A | 82 BPM | ||
| Getting Used to It | Rael Jones, Anthony Weeden | A Minor | 0 | 8A | 130 BPM | ||
| Trampas Permitidas | Sirenas Celestiales | F Minor | 1 | 4A | 75 BPM | ||
| Blind Endeavours | Samuel Sim | G Major | 1 | 9B | 82 BPM | ||
| I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM |