On March 17, 2021, the song "Paucha Gaya Part 7" was released by Ranbir, Narendra Biswal, Shetty, Rakesh, Surender Birender. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Bawana Delhi Competition Vol 2 by Ranbir. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Paucha Gaya Part 7's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Paucha Gaya Part 7 by Ranbir, Narendra Biswal, Shetty, Rakesh, Surender Birender is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tere Mehal Vich | Pale Ram, Rajender Kharkiya, Ranbir, Veerpal, Satty | D♭ Major | 8 | 3B | 130 BPM | ||
| Ho Sipahi Logaye | Ramkhilawan | B Major | 8 | 1B | 170 BPM | ||
| Jogan Kare Janiyro Minna | Fozia Soomro | B♭ Major | 6 | 6B | 81 BPM | ||
| Mat Tohmad Lave | Azad Singh Khandakhedi | D Major | 7 | 10B | 85 BPM | ||
| Soki Ho Gayi Part 9 | Ranbir, Bali, Birpal, Sunil, Parveen | G Minor | 3 | 6A | 81 BPM | ||
| Dil Jale Ashiq | Ghulam Hussain Umrani | F♯ Major | 10 | 2B | 137 BPM | ||
| Ek Chhore Ka Part 3 | Bali Sharma, Ranbir, Satbir, Pale Ram, Surinder | G Major | 4 | 9B | 78 BPM | ||
| गोगा जी की सूखना की पैड़ी | Jai Goga Jaharveer Ji | F♯ Minor | 6 | 11A | 153 BPM | ||
| Chale Chhod Raj Darbaar | Koshinder Khadana, Rishipal | F♯ Major | 4 | 2B | 117 BPM | ||
| Ninu Matrame Ne Nammanaya | Telugu Christian Music | F Minor | 8 | 4A | 80 BPM | ||
| Naye Sal Ki Deu Badhai Le Le Mata Kali Ri | Mukesh Sharma | C Minor | 7 | 5A | 143 BPM | ||
| Ram Naam Rasiyo Re - Hindi | Rashi Shroof | F♯ Major | 6 | 2B | 84 BPM | ||
| Gaam Ke Chane Me Part 7 | Bali, Paleram, Satbir, Ranbir | F Minor | 5 | 4A | 108 BPM | ||
| Sasural Chal Gaya Part 3 | Ranbir, Rakesh, Pale Ram, Sati, Satinder, Birender | F Minor | 7 | 4A | 152 BPM | ||
| Mere Bhi A Jayega Rog Part 4 | Bali, Paleram, Satbir, Ranbir | D♭ Major | 8 | 3B | 140 BPM | ||
| Hello Baby | Ranbir, Bidyarani | F Minor | 7 | 4A | 92 BPM | ||
| Chod Ke Rone Part 2 | Ranbir, Satbir, Pale Ram, Baali Sharnma, Joginder Azad | F Minor | 8 | 4A | 80 BPM | ||
| Januaa Jali Sasural | Golu Raja | F♯ Major | 6 | 2B | 116 BPM | ||
| Kiriya Khake Kaha Raja Jaldi Aa Jaiha | Golu Raja | G Major | 10 | 9B | 95 BPM | ||
| Ram Ji Ro Naam Mitho Ghano Laage Bhajan Marwadi | Champa Lal Karir | F Minor | 7 | 4A | 104 BPM | ||
| Ek Kehn Lagya Part 2 | Ranbir, Satti, Satbir, Rajender Kharkiya | F Major | 6 | 7B | 125 BPM | ||
| Kutra Sinh N Thay Chakla Baj Na Thay -03 | Devayat Khavad | F Minor | 9 | 4A | 113 BPM | ||
| Waha Padhi Likhi Uss Naam Part 10 | Satbir, Ranbir, Rajinder, Bali Sharma, Surender | F♯ Major | 1 | 2B | 124 BPM | ||
| Chinta Chod De Sanwriya Pe | Pankaj Rao | A♭ Major | 8 | 4B | 80 BPM | ||
| Merawi Az Man | Ahmad Zahir | D♭ Major | 7 | 3B | 102 BPM |