"Behind Closed Doors" by Jaimi Faulkner had its release date on September 12, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jaimi Faulkner's "Half Of It" album is number 3 out of 12. On top of that, Germany appears to be the country where this track was created. The popularity of Behind Closed Doors is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Behind Closed Doors by Jaimi Faulkner to be Prestissimo (even faster than presto) because the track has a tempo of 213 BPM, a half-time of 106BPM, and a double-time of 426 BPM. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost In The Streets | Marius Hjertø | B♭ Major | 2 | 6B | 159 BPM | ||
| One Lonesome Saddle | Adam Chance | A Major | 3 | 11B | 118 BPM | ||
| Mirrors | Joscha Christian | B♭ Major | 2 | 6B | 159 BPM | ||
| Tollkeeper | John Armistead | C Major | 3 | 8B | 183 BPM | ||
| 'I Can't Keep Myself From Loving You' | James Walsh | A Major | 2 | 11B | 107 BPM | ||
| Countin’ Quarters | Matt Andersen | D Major | 3 | 10B | 91 BPM | ||
| Silence Underneath | Luke Beling | A♭ Major | 6 | 4B | 100 BPM | ||
| Alone, Together | Jake Thistle | F Minor | 9 | 4A | 170 BPM | ||
| Room | Mike Reid, Joe Henry | E♭ Major | 2 | 5B | 97 BPM | ||
| Apple Tree | Ryan O'Shaughnessy | D Major | 1 | 10B | 78 BPM | ||
| Gracie Mansion | Brian Dunne | F♯ Minor | 9 | 11A | 79 BPM | ||
| Whole Again | Bertolf, Nomden | B♭ Major | 2 | 6B | 159 BPM | ||
| What Would Have Happened | James Anto | F♯ Major | 7 | 2B | 154 BPM | ||
| Keep It Coming | Homesick Hank | F♯ Minor | 4 | 11A | 81 BPM | ||
| Any Other Day | Wildie | F Major | 3 | 7B | 110 BPM | ||
| Dust, Sweat & Blood | Jon Nolan | D Major | 2 | 10B | 108 BPM | ||
| Forever To The End - Revisited | John Smith, Dan Mangan | E♭ Major | 2 | 5B | 150 BPM | ||
| I'll Never Get To You - Piano Vocal Version | Joshua Radin | B Major | 3 | 1B | 120 BPM | ||
| Skeleton Crew | Pete Droge | C Major | 2 | 8B | 134 BPM | ||
| Hold on to Me | The Lone Canary | G Major | 4 | 9B | 130 BPM | ||
| The last train | Sunken Lands | C Major | 5 | 8B | 91 BPM | ||
| Cowboy Lie Detector Machine | Ole Kirkeng | B♭ Major | 2 | 6B | 159 BPM | ||
| Always On the Way | Kitty Andrew | D Major | 2 | 10B | 125 BPM | ||
| Bullet Worth Dodgin' | Tucked In | E Major | 6 | 12B | 143 BPM | ||
| Nothing In The Way | Martin and James | C Major | 7 | 8B | 170 BPM |