"The Man From The Alarm Company" by Jason Hill had its release date on 2017. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Man From The Alarm Company's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jason Hill's "Mindhunter (A Netflix Original Series Soundtrack)" album is number 19 out of 20. Based on our statistics, The Man From The Alarm Company's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Man From The Alarm Company by Jason Hill to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Is Existing | Atticus Ross, Leopold Ross, Claudia Sarne | C Minor | 1 | 5A | 116 BPM | ||
| Sciunt Se Esse Mortui | Daniel Hart | B♭ Minor | 1 | 3A | 133 BPM | ||
| The Stabbing | James Barth | A Major | 1 | 11B | 70 BPM | ||
| Ad Astra | Ryan Roth, Ryan Henwood | G Major | 8 | 9B | 122 BPM | ||
| City Montage | Marcelo Zarvos | F Major | 1 | 7B | 60 BPM | ||
| The Ritual | Lovett | D♭ Minor | 3 | 12A | 120 BPM | ||
| What Have We Done to Each Other? | Trent Reznor and Atticus Ross | A♭ Major | 0 | 4B | 70 BPM | ||
| Descending | Adam Taylor | D♭ Major | 0 | 3B | 212 BPM | ||
| Ligne de faille | CHLOE (Thévenin) | D Major | 1 | 10B | 101 BPM | ||
| Possessor | Jim Williams | D Minor | 0 | 7A | 72 BPM | ||
| Fisk | Jed Palmer | E Minor | 0 | 9A | 76 BPM | ||
| Every Thirty Years | Richard Bellis | A Minor | 1 | 8A | 70 BPM | ||
| Care to Dance? | Jon Ekstrand | A♭ Minor | 1 | 1A | 49 BPM | ||
| The Queen's Lair | Daniel L.K. Caldwell | B♭ Major | 1 | 6B | 67 BPM | ||
| Voyage to the Bottom of the C (Main Title) | Marco Beltrami, Brandon Roberts | C Major | 4 | 8B | 74 BPM | ||
| It's Alive | Jon Ekstrand | A♭ Major | 0 | 4B | 110 BPM | ||
| Regression | Zilgi | F Minor | 1 | 4A | 181 BPM | ||
| Chang Vision | Cliff Martinez, Gregory Tripi | G Minor | 1 | 6A | 64 BPM | ||
| The Panama Pump | Mark Isham | B Major | 0 | 1B | 80 BPM | ||
| Analog vs Digital | Jed Palmer | A Major | 6 | 11B | 115 BPM | ||
| Occasionally Scared | Atticus Ross, Leopold Ross, Claudia Sarne | E♭ Major | 2 | 5B | 120 BPM | ||
| Quiet As A Mouse | Max Richter | A♭ Major | 1 | 4B | 122 BPM | ||
| Approaching the Shimmer | Ben Salisbury, Geoff Barrow | G Minor | 0 | 6A | 64 BPM | ||
| Strictly Criminal | Junkie XL | C Minor | 2 | 5A | 69 BPM | ||
| A Psychic Poison | Jim Williams | D♭ Major | 1 | 3B | 90 BPM |