On May 31, 2021, the song "Jay Kapi Balvanta Aarti" was released by Dhaval Kumar. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Jay Kapi Balvanta Aarti's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Sampurna Sundarkand". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Jay Kapi Balvanta Aarti's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Jay Kapi Balvanta Aarti by Dhaval Kumar having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mandir Taru | Nidhi Dholakia | E♭ Major | 4 | 5B | 96 BPM | ||
| HE NATH JODI HATH PAYE | NITIN DEVKA-NIDHO DHOLKIA | E Major | 5 | 12B | 104 BPM | ||
| Nirvikalp Uttam Ati | Artists Of Shree Swaminarayan Gurukul Rajkot Sansthan | B♭ Major | 6 | 6B | 106 BPM | ||
| Krishan Bhagwan Chalyan | Lalita Ghodadra, Raghuveer Kunchala | F Major | 7 | 7B | 89 BPM | ||
| Chhare Dishano Pawagadh | Master Rana | F Minor | 5 | 4A | 120 BPM | ||
| Shree Ramchandra Krupalu Bhajman | Dipali Bhatt, Manoj Dave, Ninad Maheta, Foram Maheta | E♭ Minor | 4 | 2A | 132 BPM | ||
| Ame to Tara Nana Bal | Satish Dehra, Foram Maheta | B♭ Minor | 6 | 3A | 138 BPM | ||
| Shivne Bhajo Jiv Din Raat | Osman Mir | F Minor | 9 | 4A | 165 BPM | ||
| Tan Man Dhan Shriji Na Charno Ma | Sachin Limaye | C Major | 4 | 8B | 126 BPM | ||
| Sankat Mochan | Vipin Sachdeva | F Major | 5 | 7B | 101 BPM | ||
| Muje Meri Masti Kaha | Niranjan Pandya | F♯ Major | 10 | 2B | 181 BPM | ||
| Rig Big Rig Big | Dilip Lahariya | F Minor | 9 | 4A | 148 BPM | ||
| Nirvikalp Uttam Ati | Swami Shree Chhapaiyaprakashdasji | C Major | 4 | 8B | 83 BPM | ||
| AVADH ME ANAND BHAYO.. | Morari Bapu | A♭ Major | 6 | 4B | 138 BPM | ||
| Ekali Khadi Re Meera Bai Ekali Khadi | Radha Krishna Maharaj | F Minor | 7 | 4A | 79 BPM | ||
| Janani Ni Jod Sakhi | Nidhi Dholakia | B♭ Minor | 3 | 3A | 121 BPM | ||
| He Mune Panghat Javana | Atul Purohit | E♭ Major | 6 | 5B | 86 BPM | ||
| Jay Sadguru Swami-Shree Swaminarayan Aarti | Gurukul Chorus | E Major | 5 | 12B | 98 BPM | ||
| Parameshwaraya | Rishi Nityapragya | G Major | 4 | 9B | 102 BPM | ||
| Shree Krishna Govind | Manoj Dave | E♭ Major | 4 | 5B | 123 BPM | ||
| Radhey Govind Govind Radhey | Jagadguru Shri Kripalu Ji Maharaj, Raseshwari Devi | C Minor | 5 | 5A | 89 BPM | ||
| Maha Balavant | Shree Swaminarayan Mandir Kalupur | E Major | 4 | 12B | 124 BPM | ||
| Aaj Mara Mandiriyama | Sachin Limaye, Ninad Mehta, Foram Mehta | B♭ Major | 6 | 6B | 88 BPM | ||
| Aigiri Nandini Mahishasur Mardini Stotram | Madhvi Madhukar | A Minor | 8 | 8A | 120 BPM | ||
| Sonani Dwarka Rupani Dwarka | Hemant Chauhan | A♭ Major | 4 | 4B | 114 BPM |