Duke Ellington's ' "Perdido - 1960 Version" was released on its scheduled release date, May 15, 1961. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Piano In The Background (Expanded Edition)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Perdido - 1960 Version is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Perdido - 1960 Version by Duke Ellington having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duke's Place | Ella Fitzgerald, Duke Ellington | B♭ Minor | 5 | 3A | 80 BPM | ||
| Nice Work If You Can Get It - 1990 Remaster | Bud Powell Trio | A♭ Major | 3 | 4B | 131 BPM | ||
| Footprints - Remastered | Wayne Shorter | G Minor | 5 | 6A | 136 BPM | ||
| They Can't Take That Away From Me | Charlie Parker | E♭ Minor | 4 | 2A | 63 BPM | ||
| Twisted | Wardell Gray | B♭ Major | 4 | 6B | 172 BPM | ||
| Doin' Basie's Thing | Open Jazz Big Band | A♭ Major | 4 | 4B | 93 BPM | ||
| Joy Spring | Clifford Brown, Max Roach | A♭ Major | 2 | 4B | 83 BPM | ||
| Four Brothers | Art Pepper | A♭ Major | 6 | 4B | 74 BPM | ||
| Can't We Be Friends? | Illinois Jacquet | F Minor | 1 | 4A | 105 BPM | ||
| Back Room Romp | Rex Stewart & His Fifty-Second Street Stompers | A♭ Major | 3 | 4B | 153 BPM | ||
| Magic | Count Basie | F♯ Major | 5 | 2B | 180 BPM | ||
| Original Dixieland One Step | Jack Teagarden | A♭ Major | 6 | 4B | 109 BPM | ||
| Tuxedo Junction | Duke Ellington Orchestra | F Minor | 3 | 4A | 64 BPM | ||
| I'm Beginning to See the Light | Duke Ellington | A♭ Major | 6 | 4B | 135 BPM | ||
| No Greater Love - Live At The Pershing, Chicago, 1958 | Ahmad Jamal Trio | B Minor | 4 | 10A | 142 BPM | ||
| Birdland | Buddy Rich | G Major | 7 | 9B | 89 BPM | ||
| The Work Song - Instrumental | Cannonball Adderley Sextet | F Minor | 5 | 4A | 99 BPM | ||
| New Orleans Function | Canal Street Jazz Band | F Minor | 7 | 4A | 119 BPM | ||
| Prelude To A Kiss | Bobby Timmons | A Minor | 1 | 8A | 75 BPM | ||
| Down For Double - Live At The Tropicana Hotel, Las Vegas/1969 | Count Basie | F Minor | 5 | 4A | 108 BPM | ||
| High Maintenance | Gordon Goodwin's Big Phat Band | A♭ Major | 8 | 4B | 205 BPM | ||
| Stars Fell On Alabama | The Cannonball Adderley Quintet | B♭ Major | 2 | 6B | 77 BPM | ||
| On Green Dolphin Street | Ahmad Jamal Trio | D Minor | 2 | 7A | 170 BPM | ||
| 'Round Midnight | Thelonious Monk | A♭ Major | 3 | 4B | 117 BPM | ||
| Harlem Air Shaft | Duke Ellington | F Minor | 4 | 4A | 171 BPM |