"黒いオルフェ" by Luiz Bonfá, Ikuko Kawai had its release date on July 30, 2014. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. 黒いオルフェ's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Melody ~100年の音楽~". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Japan. 黒いオルフェ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 黒いオルフェ by Luiz Bonfá, Ikuko Kawai having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite No.3 in D, BWV 1068 - Arr. Martynas & Haywood: Air On A G String | Martynas | D Major | 1 | 10B | 118 BPM | ||
| サン=サーンス/白鳥 | Classy Moon | G Major | 1 | 9B | 168 BPM | ||
| 弦楽のための組曲: 第2楽章: I have a bonnet trimmed with blue/私の青い縁取りのボンネット | 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
| タンゴ | Isaac Albéniz, ジェラール・ジャリ, 岩崎淑 | D Major | 1 | 10B | 103 BPM | ||
| Nuovo Cinema Paradiso - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Ennio Morricone, アンドレア・モリコーネ, 石田組 | B♭ Major | 2 | 6B | 68 BPM | ||
| ラスト・タンゴ・イン・パリ | Gato Barbieri, Ikuko Kawai | G Minor | 5 | 6A | 174 BPM | ||
| She made her own destiny | Doplefy, Leumas Reis | D Major | 1 | 10B | 80 BPM | ||
| Ludvig's Dreams (Domestic) | Ola Kvernberg | D Major | 1 | 10B | 80 BPM | ||
| Winter Ink | Vival Aldo | D Major | 1 | 10B | 80 BPM | ||
| ひまわり | 五十嵐紅トリオ | G Major | 1 | 9B | 131 BPM | ||
| Unforgettable | Takako Nishizaki, Shanghai Philharmonic Orchestra | B♭ Major | 2 | 6B | 102 BPM | ||
| サクラ | Nobuya Sugawa, Martin Taylor | G Major | 2 | 9B | 72 BPM | ||
| Back To The Future - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Alan Silvestri, 石田組 | A Major | 4 | 11B | 145 BPM | ||
| Le Cygne | Camille Saint-Saëns, Cocomi, Miloš Karadaglić, 真部 裕カルテット | D Major | 1 | 10B | 175 BPM | ||
| 托塞里: 作品6 小夜曲 | 絲國蘭, 陳松暉, 蔡福桂 | D Major | 3 | 10B | 87 BPM | ||
| エル・チョクロ (アンヘル・ビジョルド作曲) | Ángel Villoldo, Ikuko Kawai | D Minor | 2 | 7A | 127 BPM | ||
| Primavera-花降る日 | 冬野ユミ | C Major | 1 | 8B | 170 BPM | ||
| 巴赫: 詠嘆調 作品156 (雙簧管主奏版) | 絲國蘭, 陳建宜 | F Major | 2 | 7B | 72 BPM | ||
| Tamezō Narita: Song of the Seashore (Arr. by Gaichi Iwafune) | Tapei Fine Arts Trio | G Major | 2 | 9B | 108 BPM | ||
| Tears of the the Lovers: Lover's Tears | Takako Nishizaki, Shanghai Philharmonic Orchestra | E Minor | 2 | 9A | 73 BPM | ||
| Afternoon in Prague | 村井秀清 | D Major | 1 | 10B | 87 BPM | ||
| Mon coeur est un violin | Contrabass: Karel Vejvoda, Schlagzeug: Vladimir Zizka, Violin: Jaroslav Skrobak, Piano: Ivo Wittich, Clarinet: Vladimir Burda | C Major | 1 | 8B | 88 BPM | ||
| Forgiving | S.E.N.S. | B♭ Major | 2 | 6B | 62 BPM | ||
| Kill The King - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Ritchie Blackmore, ロニー・ジェイムズ・ディオ, コージー・パウエル, 石田組 | A Minor | 4 | 8A | 101 BPM | ||
| 風林火山 ~巡礼紀~ | Jin Oki, Akira Senju, Chen Min | G Major | 6 | 9B | 83 BPM |