Kyoko's '二番目に愛されて' had a release date set for November 1, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "NAKED EYES". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. The popularity of 二番目に愛されて is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 二番目に愛されて by Kyoko having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 夏のミラージュ | Kanako Wada | A Major | 8 | 11B | 126 BPM | ||
| BREAK ALL DAY! | Alisa Mizuki | A Major | 3 | 11B | 128 BPM | ||
| Robot | PSY・S[saiz] | A Minor | 8 | 8A | 166 BPM | ||
| precious・delicious | Rina Chinen | F Major | 9 | 7B | 176 BPM | ||
| 真夏のイヴ | Mariko Nagai | F Major | 9 | 7B | 147 BPM | ||
| Toy Soldiers | Kirari | C Minor | 6 | 5A | 134 BPM | ||
| Carry On | Kenichi Kurosawa | F♯ Minor | 7 | 11A | 130 BPM | ||
| Give me a Shake | MAX | F Minor | 9 | 4A | 105 BPM | ||
| Just Because | kyoko | E Major | 4 | 12B | 113 BPM | ||
| 市場に行こう | Hitomi Shimatani | G Major | 9 | 9B | 105 BPM | ||
| 遊びにきてね | PSY・S[saiz] | C Major | 9 | 8B | 165 BPM | ||
| Saigo no Kajitsu | Kyoko Fukada | C Major | 9 | 8B | 127 BPM | ||
| 寝ながら書いたラブ・レター(Live at THEATER MILANO-Za 2024.11.3) | Kyoko Koizumi | G Major | 9 | 9B | 188 BPM | ||
| Sagashiterunonii | FAIRCHILD | B Minor | 9 | 10A | 157 BPM | ||
| あなたにアディクション | Kyoko, Tomotaka Imamichi, OKAMOTO'S | D Major | 10 | 10B | 163 BPM | ||
| Fuwafuwa Fururu | Tohko | B Minor | 8 | 10A | 106 BPM | ||
| 光と影のロマン (セルフカバーバージョン) | Keiko Utoku | F Major | 6 | 7B | 115 BPM | ||
| A.S.A.P. | Little Kiss | B Minor | 8 | 10A | 106 BPM | ||
| 七つの海を渡る風のように ~U-ka's Solo Version~ | 三枝夕夏 IN db | F♯ Major | 9 | 2B | 152 BPM | ||
| Over the rainbow | MOON CHILD | B Minor | 8 | 10A | 120 BPM | ||
| flying | GARNET CROW | B Major | 8 | 1B | 107 BPM | ||
| Loop na Kimochi | Tohko | E Minor | 9 | 9A | 106 BPM | ||
| Everlasting | Mayo Okamoto | F Major | 7 | 7B | 85 BPM | ||
| 夢のひとつ | GARNET CROW | G Major | 8 | 9B | 79 BPM | ||
| secret base 〜君がくれたもの〜 | ZONE | F♯ Major | 6 | 2B | 145 BPM |