Raja Harrison's ' "Khushi Ka Chawtah Baed" was released on its scheduled release date, 2020. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Raja Harrison's "Khandani Rosary" album is number 11 out of 17. In terms of popularity, Khushi Ka Chawtah Baed is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Khushi Ka Chawtah Baed by Raja Harrison to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Neelakantha Mahadeva Gowri Vandana | Sri Sathya Sai Bhajans | E Major | 5 | 12B | 132 BPM | ||
| Vithaai Saavale | Vasant Ajgaonkar | D♭ Minor | 5 | 12A | 127 BPM | ||
| Durgechi Aarti | Yeshwant Kothambikar | A♭ Major | 6 | 4B | 145 BPM | ||
| Shree Siddha Mangal Stotra | Kamalakar Tapasvi | D♭ Major | 6 | 3B | 80 BPM | ||
| Sukhi Thev Kalu Mazha Dhani | Sakharabai Tekale | B Major | 8 | 1B | 129 BPM | ||
| Rehmat Nal Hai | M. Iqbal | A♭ Minor | 3 | 1A | 133 BPM | ||
| Vishnu Ashtottara Shata Namavalli | Veeramani Kannan | D Major | 4 | 10B | 86 BPM | ||
| Sri Sarada Suprabhatam | Ramakrishna Math, Swami Sarvagananda | D Major | 4 | 10B | 77 BPM | ||
| Dola | Sri Ganapathy Sachchidananda Swamiji | F Major | 1 | 7B | 105 BPM | ||
| Jezu Tujim Utram | MILAGREEN, Chorus | F Major | 3 | 7B | 110 BPM | ||
| Rab Asada Asaday Uttay | Ghulam Abbas | B♭ Major | 4 | 6B | 120 BPM | ||
| Vinayaka Vinayaka - Natai - Adi | Udaiyalur Kalyanaraman | D♭ Major | 8 | 3B | 115 BPM | ||
| Datta Tuhi Vidhi | Sri Ganapathy Sachchidananda Swamiji | C Major | 6 | 8B | 123 BPM | ||
| Atharva Sheersham | Puttur Narasimha Nayak, Kalyana Raman, Chandan Nallal | B♭ Major | 8 | 6B | 146 BPM | ||
| Hi Kahani Tujhyach Nahanyachi | Bhimrao Panchale | F♯ Major | 5 | 2B | 107 BPM | ||
| Jire Waala Dhan Re Ghardi | Nargis Balolia | D Major | 4 | 10B | 143 BPM | ||
| Dil Shad Howey Insaan Keh Ab | Raja Harrison, Barbara Massey | A♭ Major | 4 | 4B | 103 BPM | ||
| Pratah Smaran Mangla Charan | Hiren Khakhi | E♭ Major | 4 | 5B | 102 BPM | ||
| Saans Saans Mein | Chitra Roy | A♭ Major | 1 | 4B | 121 BPM | ||
| Jadon Tainu Pukaran | M. Iqbal | D♭ Minor | 4 | 12A | 90 BPM | ||
| Ab Saup Diya is Jivan Ka | Nidhi Dholakia | A Minor | 4 | 8A | 90 BPM | ||
| Sarva Mangala | Ramakrishna Math, Swami Sarvagananda | D Major | 4 | 10B | 86 BPM | ||
| Guru Ki Chayya Main | Madan Gopal | F♯ Major | 2 | 2B | 120 BPM | ||
| Jaya Jaya Jagannath | Sachi kumar Das | D♭ Major | 6 | 3B | 90 BPM | ||
| Mangalacharan | Sadhus of BAPS | F♯ Major | 1 | 2B | 125 BPM |