"Dixit Dominus, HWV 232: Dominus a dextris tuis" by George Frideric Handel, Elin Manahan Thomas, Grace Davidson, Jeremy Budd, Mark Dobell, Eamonn Dougan, Harry Christophers, The Sixteen had its release date on September 28, 2009. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Dixit Dominus, HWV 232: Dominus a dextris tuis's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Sixteen, Harry Christophers's "Handel: Dixit Dominus - Steffani: Stabat Mater" album is number 18 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Dixit Dominus, HWV 232: Dominus a dextris tuis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dixit Dominus, HWV 232: Dominus a dextris tuis by George Frideric Handel, Elin Manahan Thomas, Grace Davidson, Jeremy Budd, Mark Dobell, Eamonn Dougan, Harry Christophers, The Sixteen to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Matthäus-Passion: Erster Teil, 4a. Evangelista Da versammleten sich die Hohenpriester 4b. Chorus I & II Ja nicht auf das Fest 4c. Evangelista Da nun Jesus war zu Bethanien 4d. Chorus I Wozu dienet dieser Unrat 4e. Evangelista, Jesus Da das Jesus merkete | Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René Jacobs | D♭ Minor | 2 | 12A | 205 BPM | ||
| Messiah, HWV 56: Part 1: For behold, darkness shall cover the earth (Accompagnato) | Nikolaus Harnoncourt | A♭ Major | 1 | 4B | 100 BPM | ||
| Dorilla In Tempe, RV 709: Dell'aura al sussurar | Antonio Vivaldi, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | B Major | 2 | 1B | 98 BPM | ||
| Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
| Mass in D Major, Op. 86 / Credo: IIIa. Credo in unum Deum | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 4. Chor. Et misericordia eius | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Minor | 1 | 2A | 71 BPM | ||
| Confitebor tibi Domine, ZWV 72: Et in saecula saeculorum - After Psalm 110 | Jan Dismas Zelenka, Adam Viktora, Ensemble Inégal, Prague Baroque Solists | B Major | 2 | 1B | 100 BPM | ||
| Magnificat (Chorus) | Carl Philipp Emanuel Bach, Elisabeth Scholl, Ruth Sandhoff, Andreas Karasiak, Gotthold Schwarz, Dresdner Kammerchor, La Stagione Frankfurt, Michael Schneider | D♭ Major | 2 | 3B | 130 BPM | ||
| A Hymn to The Virgin | Benjamin Britten, The Sixteen, Harry Christophers | A Minor | 0 | 8A | 82 BPM | ||
| Der Messias, HWV 56, Pt. 3: No. 53b, Chor. Amen - Auf deutsch gesungen | George Frideric Handel, Münchener Bach-Orchester, Karl Richter, Elmar Schloter, Hedwig Bilgram, Münchener Bach-Chor | D Major | 4 | 10B | 112 BPM | ||
| Tenuisti manum, MH 695 | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM | ||
| Missa Sancti Pauli: No. 5, Et in terra pax | Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 2 | 10B | 105 BPM | ||
| Miserere in C minor: Misere II | Thomas Hengelbrock | B Major | 1 | 1B | 104 BPM | ||
| Poulenc: Salve Regina | Francis Poulenc, The Sixteen, Harry Christophers | C Major | 2 | 8B | 86 BPM | ||
| Phoebus, God Beloved by Men | Samuel Pepys, Cesare Morelli, Reginald Mobley, Brandon J. Acker, Douglas Balliett | A♭ Major | 0 | 4B | 66 BPM | ||
| Stabat Mater pour dix voix et basse continue: VIII. Inflammatus et accensus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
| Let Thy Hand Be Strengthened, Coronation Anthem No. 2, HWV 259 | George Frideric Handel, The English Concert, Simon Preston, Trevor Pinnock, The Choir Of Westminster Abbey | F♯ Major | 2 | 2B | 170 BPM | ||
| Missa in D-Dur, KV194: Benedictus | Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher | D Major | 1 | 10B | 114 BPM | ||
| Messe D-Dur für Soli, Chor und Orgel, op. 8: I. Kyrie | Antonín Dvořák, Knabenchor Hannover, Tobias Gotting, Heinz Henning | D Major | 1 | 10B | 82 BPM | ||
| Solomon, HWV 67, Act I Scene 1: No. 4 "With pious heart, and holy tongue" (Chorus of Priests) | George Frideric Handel, RIAS Kammerchor, Daniel Reuss, Akademie für Alte Musik Berlin | D Minor | 1 | 7A | 77 BPM | ||
| Ach Gott, wie manches Herzeleid, BWV 3: Recitative and Chorale. Wie schwerlich lasst sich Fleisch und Blut | Johann Sebastian Bach, Joanne Lunn, Richard Wyn Roberts, Julian Podger, Gerald Finley, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 1 | 4B | 135 BPM | ||
| Vespers of 1610: Lauda Jerusalem (High) | Claudio Monteverdi, The Sixteen, Harry Christophers | C Major | 1 | 8B | 84 BPM | ||
| Petite messe solennelle: X. Gloria. Cum Sancto Spiritu | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Francesco Corti, Cristiano Gaudio, Deniel Perer | E Minor | 0 | 9A | 68 BPM |