Almost Only's ' "I Have the Transcripts" was released on its scheduled release date, May 23, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 1 out of 12 in Catharsis by Almost Only. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of I Have the Transcripts is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of I Have the Transcripts by Almost Only is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beyond Repair | Sudden Waves | A Minor | 10 | 8A | 193 BPM | ||
| Disintegrate | So-Called | F♯ Minor | 9 | 11A | 195 BPM | ||
| Children Are Watching | BLVCKHELICOPTERS | A♭ Major | 10 | 4B | 167 BPM | ||
| I Don't Want To Be | Broad Peak | G Major | 10 | 9B | 170 BPM | ||
| Devil's Head (Runaway) | Commit This to Memory, Kings By Day | B Major | 10 | 1B | 95 BPM | ||
| Alone | Almost Only | G Major | 8 | 9B | 180 BPM | ||
| Between Hell And Home | Eyes Of Salt | D Minor | 10 | 7A | 150 BPM | ||
| Weathered | Almost Only | G Major | 8 | 9B | 180 BPM | ||
| Violent Beauregarde | You Whistle, I'll Shoot | D♭ Major | 10 | 3B | 95 BPM | ||
| She's A Brat | Phil the Band | C Major | 10 | 8B | 203 BPM | ||
| Romanticism | The Dead Letters | A♭ Major | 7 | 4B | 95 BPM | ||
| Tie The Knot | Bluntnose | D♭ Major | 9 | 3B | 98 BPM | ||
| Paradise | Almost Only | D Major | 9 | 10B | 155 BPM | ||
| Consequences | Record Thieves | E Major | 10 | 12B | 107 BPM | ||
| The Shore | Almost Only | F Major | 9 | 7B | 110 BPM | ||
| Never Coming Back | Halfway Down, Joey Starkey | D Major | 9 | 10B | 120 BPM | ||
| Therapy | Almost Only | D Major | 9 | 10B | 92 BPM | ||
| Cops | Harm School | F♯ Minor | 10 | 11A | 175 BPM | ||
| Breadcrumbs | Almost Only | D Major | 8 | 10B | 180 BPM | ||
| in the lines | Resident. | D Major | 9 | 10B | 144 BPM | ||
| No Way Out | Hundred Milés | B Major | 10 | 1B | 106 BPM | ||
| Regress | Trashed | D♭ Major | 10 | 3B | 103 BPM | ||
| What's Going On? | Seltzer | E♭ Major | 10 | 5B | 129 BPM | ||
| Woodward Calling | Handguns | D Major | 10 | 10B | 150 BPM | ||
| Rearview | Moments Of... | F♯ Minor | 10 | 11A | 141 BPM |