Ravindra Jain's ' "Teri Maya Ka - Gopaal Krishna" was released on its scheduled release date, June 7, 1976. This song appears to be safe for all ages as it is not explicit. The track order of this song in Ravindra Jain's "Gopaal Krishna (Original Motion Picture Soundtrack)" album is number 11 out of 13. On top of that, India appears to be the country where this track was created. Teri Maya Ka - Gopaal Krishna is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Teri Maya Ka - Gopaal Krishna by Ravindra Jain to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Maa Baap Ne | Lalita Ghodadra | E Major | 5 | 12B | 112 BPM | ||
| Teri Mand Mand Musukaniya Pe (Bhajan) - Live | Pujya Rajan Ji Official | E♭ Major | 5 | 5B | 122 BPM | ||
| Aisi Laagi Lagan Meera Ho Gai Magan | Vandana Bhardwaj | E♭ Minor | 8 | 2A | 147 BPM | ||
| Radha Dhundh Rahi Kisi Ne Mera Shyam Dekha | Vandana Bhardwaj | C Major | 8 | 8B | 130 BPM | ||
| Rom Rom Mein Basne Wale Ram | Asha Bhosle | A Minor | 4 | 8A | 111 BPM | ||
| Navdha Bhakt Kahin Tohi Payin Savdhan Suno Dharman Mahi | Arun Dangle | G Major | 3 | 9B | 153 BPM | ||
| Ramchandra Kah Gaye | Mahendra Kapoor, Kalyanji-Anandji | E♭ Major | 6 | 5B | 116 BPM | ||
| Ayodhya Karti Hai Aahvaan | Ravindra Jain, Satish Dehra, Rachna, Deepmala | G Major | 6 | 9B | 144 BPM | ||
| Ghar Mein Padharo Gajananji | Sapna Awasthi | B Major | 3 | 1B | 176 BPM | ||
| Teeno Lokan Se Nyari Radha Rani Humari | Gandharv Negi | A Minor | 8 | 8A | 101 BPM | ||
| Shree Shiv Panchakshram Stotram | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 5 | 5B | 125 BPM | ||
| Sawan Ki Rut Hai | Sonu Nigam | B Minor | 8 | 10A | 90 BPM | ||
| Mere Ram Tera Naam | Chandan Dass | F Minor | 5 | 4A | 90 BPM | ||
| De De Thoda Pyaar | Lakhbir Singh Lakkha | F Minor | 4 | 4A | 103 BPM | ||
| Dukh Mein Sumiran Sab Kare | Satyendra Pathak | A♭ Minor | 7 | 1A | 97 BPM | ||
| Ram Katha Sankshipt Bharat Seo Kapi Keh Daari (From "Lanka Kaand") | Arun Dangle, Ravindra Jain | A Minor | 6 | 8A | 95 BPM | ||
| Raat Shayam Sapne Mein Aaye | Piyusha-Kailash Anuj | B♭ Minor | 8 | 3A | 82 BPM | ||
| Mera Apaki Kripa Se | chronically online | F Major | 4 | 7B | 100 BPM | ||
| Ek Radha Ek Meera | Madhusmita Bhattacharya, Bunty Rajput, Ravindra Jain | A♭ Major | 5 | 4B | 83 BPM | ||
| Hey Mahaveer | Manoj Mishra, Shubha Mukherjee | B Major | 8 | 1B | 88 BPM | ||
| Radhika Gori Se Biraj Ki Chhori Se | Anuja Sinha | E♭ Major | 6 | 5B | 154 BPM | ||
| Shiv Tandav Stotram | Ravindra Jain, Arvind Trivedi | D♭ Minor | 3 | 12A | 97 BPM | ||
| Karo Hari Darshan - With Dialogue | Mahendra Kapoor, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM | ||
| Mere Lakhan Dulare Bol Kachhu Bol | Mohammed Aziz, Ravindra Jain | E Minor | 4 | 9A | 127 BPM | ||
| Mere Sarkar Aaye Hain | Raj Pareek | C Major | 9 | 8B | 96 BPM |