Pulp's 'Tomorrow Never Lies' had a release date set for March 30, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 26 in the song's album "This Is Hardcore (Deluxe Edition)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of Tomorrow Never Lies is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tomorrow Never Lies by Pulp having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Disco Down | Shed Seven | G Major | 9 | 9B | 114 BPM | ||
| Sit And Wonder | The Verve | F♯ Minor | 9 | 11A | 97 BPM | ||
| Aviation - The Dream Synopsis EP Version | The Last Shadow Puppets, Alex Turner, Miles Kane | G Major | 9 | 9B | 86 BPM | ||
| Always Remember Me | Ian Brown | A Major | 7 | 11B | 84 BPM | ||
| Born Again | Supergrass | C Major | 6 | 8B | 92 BPM | ||
| Jesus Christ | Longpigs | G Major | 8 | 9B | 96 BPM | ||
| In My Room | The Last Shadow Puppets | F Major | 8 | 7B | 127 BPM | ||
| I Will Kill Again | Jarvis Cocker | B♭ Major | 3 | 6B | 170 BPM | ||
| Venus & Serena | Super Furry Animals | B Minor | 6 | 10A | 137 BPM | ||
| Sylvia | Pulp | E Major | 6 | 12B | 94 BPM | ||
| Fiction | Whipping Boy | D Minor | 10 | 7A | 127 BPM | ||
| Apollo 13 | The Tears | E Major | 6 | 12B | 132 BPM | ||
| My Selfish Gene | Catatonia, Mixed By Tommy D And Joe Gibb | A Minor | 2 | 8A | 115 BPM | ||
| Me and You Versus the World | Space | C Major | 9 | 8B | 129 BPM | ||
| Car Fiction | Echobelly | D♭ Minor | 9 | 12A | 153 BPM | ||
| Old Red Eyes Is Back - Bonus Track | The Beautiful South | G Major | 5 | 9B | 148 BPM | ||
| If You're Thinking Of Me | Dodgy | G Major | 6 | 9B | 139 BPM | ||
| Being Brave | Menswear | G Major | 7 | 9B | 91 BPM | ||
| Illegal Attacks | Ian Brown, Sinéad O'Connor | E Minor | 6 | 9A | 94 BPM | ||
| Love Like Semtex | Rialto | A Major | 4 | 11B | 108 BPM | ||
| Long Time Dead | Shed Seven | G Major | 8 | 9B | 141 BPM | ||
| She's A Lady | Pulp | B Major | 8 | 1B | 126 BPM | ||
| Joe Louis | John Squire | C Major | 7 | 8B | 172 BPM | ||
| Velvet Morning | The Verve | A Major | 5 | 11B | 87 BPM | ||
| American Guitars | The Auteurs | D Major | 4 | 10B | 143 BPM |