"Dawn of the 5th Week" by Ryan Roth had its release date on May 31, 2013. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 8 in the song's album "The Yawhg EP". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Dawn of the 5th Week is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dawn of the 5th Week by Ryan Roth having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ghosts of the Past | David Housden | E♭ Major | 4 | 5B | 120 BPM | ||
| Lovers Mask | Theophany | D♭ Minor | 7 | 12A | 120 BPM | ||
| Picnic at the Edge of the World | Jon Hillman | C Major | 0 | 8B | 71 BPM | ||
| Self Esteem Fund | Aperture Science Psychoacoustic Laboratories | D♭ Major | 0 | 3B | 138 BPM | ||
| I'm Sorry Guys, It's Not Good | Jon Hillman | B Minor | 0 | 10A | 72 BPM | ||
| A Land of Great Beauty | Damjan Mravunac | A Major | 2 | 11B | 91 BPM | ||
| Dance of the Moonlight Jellies | ConcernedApe | D Major | 0 | 10B | 78 BPM | ||
| With Compliments (Hue Credits) | Alkis Livathinos | E Minor | 3 | 9A | 61 BPM | ||
| The Shifting Mound (Movement II) | Brandon Boone, Amelia Jones | C Minor | 2 | 5A | 69 BPM | ||
| Large Magellanic Cloud | Curtis Schweitzer | C Major | 1 | 8B | 120 BPM | ||
| Oceans | Soda Island, Spire | G Major | 1 | 9B | 89 BPM | ||
| Reflect | Rhys Lindsay | B Minor | 0 | 10A | 172 BPM | ||
| soft reset | feasley | D Minor | 0 | 7A | 130 BPM | ||
| The Docks | Liam Sauvé, Ryan Roth | F Major | 0 | 7B | 91 BPM | ||
| Science & Secrecy | Inon Zur, Fallout | B Minor | 0 | 10A | 67 BPM | ||
| Lecturing | Ryan Roth | A Minor | 1 | 8A | 175 BPM | ||
| Breaking Ground | Daniel Koestner | D♭ Major | 6 | 3B | 98 BPM | ||
| Polyhedrons | Sea Power | B Minor | 3 | 10A | 120 BPM | ||
| Departure | Frida Johansson, Henrik Oja | G Minor | 4 | 6A | 180 BPM | ||
| Instrument of Surrender | Sea Power | D Major | 2 | 10B | 76 BPM | ||
| Ancient | Progfox | C Major | 3 | 8B | 136 BPM | ||
| Finisterre | Guillaume Ferran | E Minor | 1 | 9A | 134 BPM | ||
| Thirty Seven After Six | Valve | F♯ Major | 2 | 2B | 117 BPM | ||
| Divided We Fall | David Housden | E Minor | 5 | 9A | 120 BPM | ||
| Ditmas | Disparition | C Minor | 1 | 5A | 76 BPM |