"So Near and yet so Far" by Nathan R. Bradford had its release date on April 14, 2021. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. So Near and yet so Far's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Revolutionized". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, So Near and yet so Far is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With So Near and yet so Far by Nathan R. Bradford having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Only The Beginning of The Adventure | Harry Gregson-Williams | A♭ Major | 2 | 4B | 83 BPM | ||
| Rapunzel Theme (from 'Barbie as Rapunzel') | Minnz Piano | B♭ Major | 0 | 6B | 123 BPM | ||
| A Childhood Lost | Joel McNeely | G Major | 0 | 9B | 82 BPM | ||
| Viendo Resultados | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| But I Won't Give Up | Andreas Busk | B Minor | 1 | 10A | 52 BPM | ||
| CAMINO | MidnoteLand | D Major | 2 | 10B | 82 BPM | ||
| Back-to-Blue Skies | Bheto VN | B Minor | 1 | 10A | 52 BPM | ||
| Not Sorry for Loving You (From "Epic: The Vengeance Saga") [Piano Version] | Kim Bo | B♭ Minor | 3 | 3A | 77 BPM | ||
| Stay With Me - Instrumental | Stephen Sondheim | E♭ Major | 0 | 5B | 69 BPM | ||
| Alice Returns - From "Alice in Wonderland"/Score | Danny Elfman | A Minor | 1 | 8A | 56 BPM | ||
| Orphaned | Patrick Doyle | A Minor | 0 | 8A | 82 BPM | ||
| Twinkels | De Lumineuze Nachten | B Major | 2 | 1B | 97 BPM | ||
| Walking On Water | George Fenton | B♭ Major | 0 | 6B | 79 BPM | ||
| Bathsheba | Sight & Sound Theatres | G Major | 2 | 9B | 112 BPM | ||
| Service and Sacrifice | Jeremy Tai | B♭ Minor | 2 | 3A | 168 BPM | ||
| Marina's Love/Proteus' Execution | Harry Gregson-Williams | C Major | 2 | 8B | 69 BPM | ||
| Ceremonial Promise | Echos in tempo | B Minor | 1 | 10A | 52 BPM | ||
| Jane Can Fly | Joel McNeely | C Major | 4 | 8B | 141 BPM | ||
| Anya by the Stars | Kan Gao | B♭ Minor | 3 | 3A | 130 BPM | ||
| Fireside Dance | Danny Elfman | D♭ Major | 2 | 3B | 140 BPM | ||
| From Western Woods to Beaversdam | Harry Gregson-Williams | F Minor | 1 | 4A | 75 BPM | ||
| I Love You - From the Netflix Series “Bridgerton Season Two” | Kris Bowers | B Minor | 1 | 10A | 52 BPM | ||
| River Thames | Naoki”naotyu-”Chiba | B Minor | 1 | 10A | 52 BPM | ||
| Sacrifice (from "The Gift") | Buffy the Vampire Slayer Cast | F Minor | 0 | 4A | 144 BPM | ||
| Comfort | Brock Hewitt: Stories in Sound, Quintessence Ensemble | E♭ Major | 2 | 5B | 108 BPM |