"Reasonable Encounter" by Ryan Roth had its release date on June 10, 2019. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Riverbond (Original Game Soundtrack)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. In terms of popularity, Reasonable Encounter is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Reasonable Encounter by Ryan Roth having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Far Reaches | Louie Zong | C Minor | 2 | 5A | 71 BPM | ||
| Slumber in Stillness | Ryan Roth, Halina Heron | C Minor | 1 | 5A | 75 BPM | ||
| Day Three Evening Suite | Alessandro Coronas | B Minor | 1 | 10A | 105 BPM | ||
| The Foothills | e.hillman | C Minor | 1 | 5A | 105 BPM | ||
| Sail Into the Sunset | A Shell In The Pit | F Major | 1 | 7B | 92 BPM | ||
| Reflection | Christopher Larkin | D Minor | 2 | 7A | 80 BPM | ||
| All Our Friends | A Shell In The Pit | C Major | 4 | 8B | 108 BPM | ||
| Owl Temple | Reeder | E♭ Major | 0 | 5B | 180 BPM | ||
| Epiphany Fields | scntfc | F Major | 2 | 7B | 140 BPM | ||
| Sand Travellers | Ryan Roth, Halina Heron | E Minor | 4 | 9A | 150 BPM | ||
| Henge of the Matriarch | e.hillman | B♭ Minor | 2 | 3A | 90 BPM | ||
| Shallow Waters | Max LL | G Major | 0 | 9B | 180 BPM | ||
| Lone Sails | Joel Schoch | E Minor | 2 | 9A | 101 BPM | ||
| Making Your Way Home | Masatoshi Yanagi | B Minor | 1 | 10A | 143 BPM | ||
| The Rain Cascades | Eli Rainsberry | A♭ Major | 0 | 4B | 69 BPM | ||
| Molly's Hunger (Owl) | Jeff Russo | G Minor | 1 | 6A | 72 BPM | ||
| Aquatic Ambience | Noah Faulkner | C Minor | 1 | 5A | 73 BPM | ||
| Default Friends/Ship Date | Chris Remo | C Major | 1 | 8B | 76 BPM | ||
| Nomai Ruins | Andrew Prahlow | E Minor | 0 | 9A | 137 BPM | ||
| The Whisper Machine | Ryan Roth | B Minor | 6 | 10A | 140 BPM | ||
| Machine | Ryan Roth | C Major | 7 | 8B | 120 BPM | ||
| The Heart of The Woods | Nick Roder | G Minor | 0 | 6A | 69 BPM | ||
| Gräns | Joel Bille, Bortre Rymden | E♭ Major | 2 | 5B | 81 BPM | ||
| The House, Part 1 (In-Game) | Chris Remo | C Major | 0 | 8B | 76 BPM | ||
| Entering Exiting | Ryan Roth | D♭ Minor | 6 | 12A | 128 BPM |