Cologne Chamber Orchestra, Georg Philipp Telemann's ' "Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette" was released on its scheduled release date, November 15, 1999. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Telemann: Darmstadt Overtures (Suites)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette by Cologne Chamber Orchestra, Georg Philipp Telemann having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": II. Tempo di gavotta | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 101 BPM | ||
| Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
| Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
| Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
| Bach Orchestral Suite No.2 in B Minor, BWV 1076: VII. Badinerie | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 128 BPM | ||
| Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Alison Balsom | D Major | 3 | 10B | 102 BPM | ||
| Concerto for 2 Violins in D Minor, Op. 6, No. 10: I. Adagio | Giuseppe Torelli, Berliner Barock Compagney | F♯ Major | 2 | 2B | 103 BPM | ||
| Overture (Suite) - No. 2 In B Minor, BWV 1067 : II. Rondeau | Cologne Chamber Orchestra, Johann Sebastian Bach | B Minor | 4 | 10A | 119 BPM | ||
| Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
| Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
| Purcell: King Arthur, Z. 628: Overture | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 1 | 12A | 122 BPM | ||
| Oboe d'amore Concerto in D Major: II. Allegro | Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay | E Major | 0 | 12B | 76 BPM | ||
| Ciaccona, Op. 12 No. 20 | Tarquinio Merula, Tafelmusik Baroque Orchestra, Elisa Citterio | C Major | 1 | 8B | 113 BPM | ||
| Music for the Royal Fireworks, HWV 351: I. Ouverture | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 4 | 3B | 134 BPM | ||
| Sonata (Sinfonia) a 5 in G Minor, Op. 2, No. 6: I. Adagio | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
| The Wolf and the Seven Young Goats: III. Playful Goatlings | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Alexey Lundin | A Major | 1 | 11B | 87 BPM | ||
| Overture No. 2 in F Major: III. Sarabande | Francesco Maria Veracini, Accademia I Filarmonici, Alberto Martini | F Major | 1 | 7B | 108 BPM | ||
| Scarlatti, D: Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, David Fray | D Major | 0 | 10B | 68 BPM | ||
| Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
| Albinoni: Concerto for Two Oboes in F Major, Op. 9 No. 3: I. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
| Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Müller-Brühl, Nadja Schubert, Daniel Rothert, Corinne Chapelle | G Major | 3 | 9B | 102 BPM | ||
| Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": I. Allegro ma non troppo - Allegro assai | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 126 BPM | ||
| Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM |