The Reytons's ' "Clare's Law" was released on its scheduled release date, May 1, 2017. Clare's Law is explicit and may not be suitable for children. With the duration being about 4:14, this song is close to the average duration of a typical track. The track order of this song in The Reytons's "It Was All So Monotonous" album is number 3 out of 5. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Clare's Law's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Clare's Law by The Reytons to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Out of Line | The Public Eye | A Minor | 7 | 8A | 150 BPM | ||
| Business | Catfish and the Bottlemen | A Major | 8 | 11B | 142 BPM | ||
| Emily | Catfish and the Bottlemen | D♭ Major | 9 | 3B | 137 BPM | ||
| You're Not That Daft | The Lilacs | D Major | 8 | 10B | 148 BPM | ||
| Rango | Catfish and the Bottlemen | D♭ Major | 9 | 3B | 146 BPM | ||
| Avalanche | The Reytons | A Minor | 9 | 8A | 165 BPM | ||
| The Deep End | The Royston Club | C Major | 9 | 8B | 191 BPM | ||
| Bandits | Reverend And The Makers | F♯ Minor | 9 | 11A | 164 BPM | ||
| Leave It Out | STONE | A Minor | 9 | 8A | 165 BPM | ||
| Rich Boy | Dylan John Thomas | F♯ Minor | 9 | 11A | 163 BPM | ||
| Stay Silent | STONE | F Minor | 10 | 4A | 184 BPM | ||
| Trip Through The Night | The Kairos | D♭ Minor | 7 | 12A | 126 BPM | ||
| Keep It On The Low | The Kairos | A Major | 7 | 11B | 124 BPM | ||
| California | CRUZ | C Major | 9 | 8B | 150 BPM | ||
| The Machine | Reverend And The Makers | F♯ Minor | 9 | 11A | 160 BPM | ||
| 18 | Monday's Problem | G Major | 10 | 9B | 108 BPM | ||
| Shoot the Runner | Kasabian | G Major | 8 | 9B | 131 BPM | ||
| You're Gonna Lose Us | The Cribs | E Major | 8 | 12B | 150 BPM | ||
| Squeeze | The Kairos | B Major | 9 | 1B | 142 BPM | ||
| 18 | M60 | F♯ Minor | 7 | 11A | 140 BPM | ||
| Melancholy's Cure | Dylan John Thomas | F♯ Minor | 9 | 11A | 163 BPM | ||
| Sharp as a Razor | Shambolics | A♭ Minor | 9 | 1A | 160 BPM | ||
| Pigeons in New York | The Snuts | B Minor | 8 | 10A | 67 BPM | ||
| I'll Be There | The Rolling People | B Minor | 9 | 10A | 147 BPM | ||
| Midas | Wunderhorse | C Major | 10 | 8B | 138 BPM |