"Count Phase" by Max Lilja had its release date on April 12, 2013. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Plays Electronica By One Cello". In this album, this song's track order is #4. Based on our statistics, Count Phase's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Count Phase by Max Lilja having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Not Always Right | Jesper Kyd | D♭ Major | 5 | 3B | 84 BPM | ||
| Bleak Visions | The Algorithm | G Minor | 9 | 6A | 163 BPM | ||
| Lost Memories | Max Lilja | C Major | 5 | 8B | 120 BPM | ||
| Ritual at the End of Time | Atrium Carceri | C Major | 3 | 8B | 110 BPM | ||
| The Last Flame | Piotr Musiał | F Minor | 2 | 4A | 70 BPM | ||
| Breaking the Silence | Craig Stuart Garfinkle, Eimear Noone | A Major | 5 | 11B | 140 BPM | ||
| The End of Immortality | Kyle Hnedak | F Minor | 2 | 4A | 74 BPM | ||
| Grieving Rockgiant | Alex Roe | E♭ Minor | 2 | 2A | 140 BPM | ||
| Finding the Way | dreissk | D♭ Major | 4 | 3B | 120 BPM | ||
| Corrupt Rot God | Theophany, Gamelan Cudamani | D Major | 5 | 10B | 120 BPM | ||
| Six Shades of Bach, Suite 5, Death: VI. Gigue (After J.S. Bach's BWV 1011) | Johann Sebastian Bach, Max Lilja | D Major | 3 | 10B | 120 BPM | ||
| Sacrifice | Robin Lener | D Minor | 8 | 7A | 75 BPM | ||
| A Duel For Blood | Alex Roe | A♭ Major | 7 | 4B | 135 BPM | ||
| Spaces Between | Cris Velasco | C Major | 9 | 8B | 120 BPM | ||
| Matriarch | Bobby Krlic, Glen Andrew Brown | F Major | 8 | 7B | 120 BPM | ||
| It Is In | Max Lilja | C Major | 5 | 8B | 95 BPM | ||
| Pain | Mikołaj Kurpios | D Major | 4 | 10B | 80 BPM | ||
| 陰謀 | BaoUner | F Minor | 9 | 4A | 152 BPM | ||
| Downpour | Metal Scar Radio, Hybrid | C Major | 9 | 8B | 120 BPM | ||
| 精霊ノ末路 | 岡部啓一 | C Major | 9 | 8B | 120 BPM | ||
| Garden of Deep Purple | Theophany | A Major | 2 | 11B | 65 BPM | ||
| Tarnished | Solas Composer | C Major | 1 | 8B | 70 BPM | ||
| Despair Creation | Max Lilja | D Major | 4 | 10B | 158 BPM | ||
| The Nameless God | Ska Studios | B♭ Major | 5 | 6B | 60 BPM | ||
| Lost Signal | Guillaume David | F Major | 6 | 7B | 87 BPM |