"For The Koalas" by Nat Bartsch had its release date on May 7, 2021. This song is about six minutes long, preciously at 5:59, making this song fairly long compared to other songs. The track order of this song in Nat Bartsch's "Hope" album is number 2 out of 12. On top of that, Australia appears to be the country where this track was created. Based on our statistics, For The Koalas's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of For The Koalas by Nat Bartsch to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fields of Gold | Gordon Matthew Thomas Sumner, Ben Laver | A♭ Major | 0 | 4B | 145 BPM | ||
| Calm Impression | ædeltræ | F Minor | 0 | 4A | 80 BPM | ||
| Anatomy of Quiet | TmrDark | E Minor | 0 | 9A | 76 BPM | ||
| Which Will | Demian Dorelli | C Major | 1 | 8B | 170 BPM | ||
| New Morning | Brenda Warren | C Major | 1 | 8B | 60 BPM | ||
| The Road Not Taken | Louise Frei | F Minor | 0 | 4A | 74 BPM | ||
| Piano Concerto in G Major | Gary Schmidt | E Major | 2 | 12B | 123 BPM | ||
| The Love Hypothesis | Isla Thorne | F Major | 2 | 7B | 117 BPM | ||
| Moving On | Kristoffer Wallin, Ola W Jansson | G Major | 1 | 9B | 81 BPM | ||
| Dessner: Song for Octave | Bryce Dessner, Bertrand Chamayou | E♭ Major | 1 | 5B | 133 BPM | ||
| The Farewell - Voiceless | Gabríel Ólafs | E Major | 0 | 12B | 61 BPM | ||
| Warming (Mvt. 5) | Erland Cooper | C Major | 0 | 8B | 71 BPM | ||
| Sylkje-Per, var. | Nils Økland, Sigbjørn Apeland | B Minor | 1 | 10A | 69 BPM | ||
| this is what love is - solo piano | Chad Lawson | E Minor | 0 | 9A | 65 BPM | ||
| Saving Daylight | Lake Isabel | C Minor | 0 | 5A | 108 BPM | ||
| Sleep Song | John Hayes | F♯ Major | 0 | 2B | 62 BPM | ||
| Irradiance | Olec Mün | F♯ Major | 0 | 2B | 112 BPM | ||
| Slow Moments | 디어문 | F Minor | 0 | 4A | 80 BPM | ||
| Sublime Universe | Nijolé Abaryté | C Minor | 1 | 5A | 78 BPM | ||
| Treasure | Peter Sandberg | E Major | 0 | 12B | 110 BPM | ||
| Heart of Oak | Alexander Chapman Campbell | D♭ Major | 0 | 3B | 119 BPM | ||
| An Ending, Go Back to the Beginning | Rose Riebl | A Minor | 1 | 8A | 84 BPM | ||
| We Drift | Sharon Lynn Makarenko | B♭ Major | 0 | 6B | 119 BPM | ||
| Some | Nils Frahm, Chris Snelling | F Major | 0 | 7B | 71 BPM | ||
| Système trois | Nicolas Bernier Nathan Giroux, Nicolas Bernier, Nathan Giroux, Pur Pasteur | F Minor | 0 | 4A | 80 BPM |