On March 1, 1995, the song "Apne Ta Gaile Saiya Puruvi Ho Banijiya" was released by Bechan Ram Rajbhar. This song is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 7 out of 11 in Bhojpuri Lachari by Bechan Ram Rajbhar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Apne Ta Gaile Saiya Puruvi Ho Banijiya is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Apne Ta Gaile Saiya Puruvi Ho Banijiya by Bechan Ram Rajbhar is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laago Ram Bhajan Ro Kod | Ramniwas Rao | C Major | 6 | 8B | 122 BPM | ||
| Tere Hi Karan Jogi Bane | Brajesh Shastri | D♭ Major | 10 | 3B | 87 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Bani Gailein Jharna Nayanwa | Madan Rai | A Major | 8 | 11B | 87 BPM | ||
| सन्त भजनानंद जी गुरुवाणी भजन मारवाड़ी भजन | Sant Bhajana Nand | A♭ Minor | 7 | 1A | 101 BPM | ||
| Gufa Suhani Beech Bhawani Maa | Maithili Thakur | B♭ Major | 8 | 6B | 125 BPM | ||
| Agar Dil Kisi Ka | Parmod Kumar | F♯ Major | 7 | 2B | 84 BPM | ||
| Abhi Chhoti Hun Balam Jawan Hone De | Prakash Rutha | G Major | 6 | 9B | 95 BPM | ||
| Raja Banwa Dalo Baal Aise Me Lag Raho Bekar | JaiSingh Raja, Rani Kushwaha | F♯ Major | 8 | 2B | 151 BPM | ||
| Kavita Likhein Hazaar Tumaai | Deshraj Patairiya | E♭ Major | 7 | 5B | 159 BPM | ||
| Aa Beta Rohtash | Koshinder Khadana, Rishipal | B♭ Minor | 7 | 3A | 126 BPM | ||
| Hath Jod Kay Paya | Ranbir Singh Badwasniya | A♭ Major | 6 | 4B | 60 BPM | ||
| Paed Te Niche | Koshinder Khadana, Rishipal | G Major | 4 | 9B | 127 BPM | ||
| Ek Baar Awo Ji Jawai Ji Pawna | Mamta Singh | F♯ Major | 7 | 2B | 108 BPM | ||
| Bheruji Latiyaala - Live | Asha Vaishnav | B♭ Major | 8 | 6B | 102 BPM | ||
| Mando Maro Lobhi Baniyo Marwadi Bhajan | Pemaram Jat | B♭ Minor | 4 | 3A | 118 BPM | ||
| Teeno Lokan Se Nyari | Rajendra Vyas | D♭ Minor | 9 | 12A | 172 BPM | ||
| Banvari O Girdhari Moy Aash Lagi Teri Bhari | Brajesh Shastri | B Major | 9 | 1B | 145 BPM | ||
| Chaurasi Ki Neend Me Mhara | Chunnilal, Prakash Mali, Moinuddin Manchala, Neta Nayak | B♭ Minor | 7 | 3A | 108 BPM | ||
| Maro Helo Suno Ji Ramapeer | Prakash Mali | A♭ Major | 8 | 4B | 110 BPM | ||
| Dhwja Lehrave | Shyam Paliwal | C Major | 6 | 8B | 106 BPM | ||
| Bhajlo Dadaji ka Naam | Om Prakesh Tirole | D♭ Major | 4 | 3B | 86 BPM | ||
| Gori Gaili Piyava Ke Desh | Madan Rai | E♭ Major | 5 | 5B | 166 BPM | ||
| Karun Bali Ne Kar Rakhi | Mainpal Baseda, Satpal Dosa | E♭ Minor | 6 | 2A | 76 BPM | ||
| Sivru Prtham Nit Tumko Ganesha | Bhajnanand Ji Maharaj | A♭ Minor | 7 | 1A | 78 BPM |