"Covenant: IV. It Shall" by Ralph Shapey, Elsa Charlston had its release date on January 1, 1996. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ralph Shapey, Contemporary Chamber Players Of The University Of Chicago's "Music of Ralph Shapey" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. Covenant: IV. It Shall is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Covenant: IV. It Shall by Ralph Shapey, Elsa Charlston to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cantus Commemorabilis I | Henry Weinberg, Various Artists, Ralph Shapey | G Major | 0 | 9B | 115 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 5, Alla Tarantella | Erwin Schulhoff, Leonkoro Quartet | D Minor | 0 | 7A | 86 BPM | ||
| Cosmic Journey | Nomad Skies | B Major | 4 | 1B | 123 BPM | ||
| Three For Six: Movement I | Ralph Shapey, Wanda Maximilien, Robert Black | D♭ Major | 0 | 3B | 136 BPM | ||
| Variations for Orchestra, Op. 31: Variation V. Bewegt | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 3 | 4B | 84 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (1) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| 12 Nocturnes: No. 2, Mondnacht (Berceuse No. 2) | Bent Sørensen, Katrine Gislinge | D Minor | 0 | 7A | 86 BPM | ||
| Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | D Minor | 0 | 7A | 86 BPM | ||
| Pärt: Silouans Song | Arvo Pärt, Ostrobothnian Chamber Orchestra, Juha Kangas | F Minor | 0 | 4A | 130 BPM | ||
| Interludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | A♭ Minor | 0 | 1A | 77 BPM | ||
| Fugue in Four Keys on "The Shining Shore" | Charles Ives, Orchestra New England, James Sinclair | C Major | 1 | 8B | 60 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Three For Six: Movement II | Ralph Shapey, Wanda Maximilien, Robert Black | D♭ Major | 0 | 3B | 136 BPM | ||
| Evocation - with tenderness | Paul Zukofsky, Ralph Shapey, Raymond Desroches, Gilbert Kalish | A Major | 0 | 11B | 87 BPM | ||
| Songs of Life for Soprano, Cello & Piano: II. Gioia (with Joy) - Maestoso, Imponente | Ralph Shapey, Joel Krosnick, Gilbert Kalish, Joel Smirnoff, Lisa Saffer, William Trigg | E♭ Major | 0 | 5B | 92 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Serenade After Plato's "Symposium": IV. Agathon. Adagio | Leonard Bernstein, Esther Yoo, Royal Philharmonic Orchestra, Long Yu | D Minor | 0 | 7A | 86 BPM | ||
| Evocation II for Cello, Piano & Percussion: I. Maestoso - Cadenza: Rubato-Bravura | Ralph Shapey, Joel Krosnick, Gilbert Kalish, Joel Smirnoff, Lisa Saffer, William Trigg | A Major | 2 | 11B | 79 BPM | ||
| Seven Nuggets: VII. Lapis, with Gold Crystals | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | ||
| 5 Bagatelles, Op. 23: No. 2, Romance | Gerald Finzi, Anastasia Schmidlin, Denis Zhdanov | D Minor | 0 | 7A | 86 BPM | ||
| Symphony No. 1: I. [Quarter Note = 60] | Galina Ustvolskaya, London Philharmonic Orchestra, Christian Karlsen | C Major | 0 | 8B | 136 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM |