Ramanuj Dasgupta's ' "Rash Ghano Shyam" was released on its scheduled release date, June 17, 2009. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Nana Ronge Nazrul". In this album, this song's track order is #11. Furthermore, we believe that the track originated from India. In terms of popularity, Rash Ghano Shyam is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rash Ghano Shyam by Ramanuj Dasgupta having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chetanay Aalo Diye | Raghab Chatterjee | D Minor | 3 | 7A | 130 BPM | ||
| Mor Na Mitite Asha | Tasmee | E♭ Minor | 7 | 2A | 130 BPM | ||
| Dosh Karo Noygo | Srijan Chatterjee | E♭ Major | 7 | 5B | 116 BPM | ||
| Shashan To Bhalobasis | Dhananjay Bhattacharya | C Major | 6 | 8B | 113 BPM | ||
| Bhaba Sagar Taran Karan He Gurubandana | Debendranath Mazumder | F Minor | 3 | 4A | 137 BPM | ||
| Brajo Gopi Khele Hori | Mohammed Rafi | D♭ Minor | 6 | 12A | 90 BPM | ||
| Yoger Anko Sekhali | Amrik Singh Arora | E Minor | 4 | 9A | 136 BPM | ||
| De Maa Amay Tabildari - Original | Ramkumar Chattopadhyay, NA | F♯ Major | 4 | 2B | 140 BPM | ||
| Ami Tomar Sange Bendhechhi Amar Pran | Chinmoy Chatterjee | E♭ Major | 4 | 5B | 126 BPM | ||
| Banshi Tar Kothay Baje | Ramanuj Dasgupta | C Major | 5 | 8B | 154 BPM | ||
| Sokhi Bhabona Kahare Bole | Rezwana Choudhury Bannya | A♭ Major | 4 | 4B | 160 BPM | ||
| Patni Praapti Mantra | Jitender Singh | D♭ Major | 5 | 3B | 110 BPM | ||
| Kotobaro Bhebechinu (From "Rabindra Kabya Rahasya") | Mekhla Dasgupta | B♭ Major | 3 | 6B | 175 BPM | ||
| Babu Ami Gayer Chhele | Sanajit Mondal | A♭ Major | 5 | 4B | 99 BPM | ||
| Podaboli Kirtan (Holi Leela) | Aditi Munshi | B Major | 4 | 1B | 93 BPM | ||
| Mor Ghumo Ghore | Bornali Sorkar | B Major | 6 | 1B | 111 BPM | ||
| Raat Ghaniye Asa With Narration | Ramanuj Dasgupta | B♭ Minor | 4 | 3A | 135 BPM | ||
| Anandamoyee Uma | Padma Palash | D♭ Minor | 4 | 12A | 140 BPM | ||
| Dujone Dekha Holo | Mounita, Srijan Chatterjee | D♭ Major | 4 | 3B | 120 BPM | ||
| Shamshane Jagichhe Shyama | Anup Ghoshal | C Minor | 4 | 5A | 146 BPM | ||
| Sarada Stotro | Narendrapur University Artist, Atanu Sanyal | F♯ Major | 2 | 2B | 96 BPM | ||
| Abhi Se Kaise Kahun | Rekha Bhardwaj | B♭ Major | 5 | 6B | 88 BPM | ||
| Amar Kalo Meyer Payer Talay | Pannalal Bhattacharya | E♭ Minor | 3 | 2A | 85 BPM | ||
| Sokoli Tomari Iccha | Gurujeet Singh | F♯ Major | 4 | 2B | 132 BPM | ||
| Khorer Protima Pujis Re Tora | Swaraj Roy | A Major | 4 | 11B | 160 BPM |