On September 5, 2000, the song "Jwanichya Aagit" was released by Vishnu Shinde, Aparna Mayekar, Rekha Deepake, Maina Kokate, Shravan Kumar. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Mahapurush (31 Non Stop)" album is number 5 out of 10. On top of that, India appears to be the country where this track was created. In terms of popularity, Jwanichya Aagit is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jwanichya Aagit by Vishnu Shinde, Aparna Mayekar, Rekha Deepake, Maina Kokate, Shravan Kumar to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hota To Bapacha Bap Maza Bhimrao Ambedkar ( Dj Kalpesh ) | Dhamma Dhanve, Kadubai Kharat | F♯ Minor | 8 | 11A | 150 BPM | ||
| Galli Te Dilli Pasarali Jatichi Rograi | Vishnu Shinde | A♭ Minor | 9 | 1A | 80 BPM | ||
| Radato Parshuram Palna Tumhi Halva | Balu Shinde | A♭ Minor | 5 | 1A | 119 BPM | ||
| Prem Deewana Vaina Ye | Pankaj Koli | F Minor | 10 | 4A | 170 BPM | ||
| Aai Ude Ga Ambabai | Arvind Mohite | A Major | 8 | 11B | 106 BPM | ||
| Chala Chala Jivdani Aaiche Jatarala | Jagdish Patil | D♭ Major | 9 | 3B | 92 BPM | ||
| Lakhabai Pujali Jalala | Chandan Kamble | F Minor | 8 | 4A | 148 BPM | ||
| Ghatoli Yedamaichi | Chandan Kamble | G Minor | 10 | 6A | 120 BPM | ||
| Satyachya Bhairavnath | Akash Shinde | B Minor | 9 | 10A | 137 BPM | ||
| Dhangar Vadyat Ghusla | Makrand Sardeshmukh | A Minor | 7 | 8A | 98 BPM | ||
| Chaitra Saptamichya Tya Dini | Deepa Patil | F♯ Major | 5 | 2B | 135 BPM | ||
| Mazya Pilluchi Varat | Kishor Jawale | D Major | 9 | 10B | 120 BPM | ||
| Lakhabai Potraj Aalay Bhetila | Chandan Kamble | E♭ Minor | 7 | 2A | 113 BPM | ||
| Mil Gaya Re Mil Gaya | Vishnu Shinde | B♭ Minor | 8 | 3A | 91 BPM | ||
| Changbhal Ra Changabhal Deva Jotiba | Vijay Sartape | A♭ Minor | 6 | 1A | 87 BPM | ||
| Palkhi Nighali Sainchi Mi Nighalo Shirdla | Sai bhakti, Rajesh Ranshur | C Minor | 8 | 5A | 128 BPM | ||
| Lay Bal Aal | Manjusha Shinde | B Minor | 9 | 10A | 137 BPM | ||
| Dev Bolayla Lagla Banula | Sajan Bendre | A♭ Major | 8 | 4B | 110 BPM | ||
| Navhati Kunachi Kadar Mi | DJ NeSH | E Minor | 10 | 9A | 101 BPM | ||
| Malhari Pivala Jhala | Vijay Sartape | D♭ Major | 6 | 3B | 104 BPM | ||
| Magar Bhim Gyan Ka Jara Asar Dikhana | Vishnu Shinde | A♭ Major | 8 | 4B | 168 BPM | ||
| KALUBAICHA ALA PUSHI PUNVACHA DIVAS | Akash Shinde | G Major | 10 | 9B | 100 BPM | ||
| Ved Jiva Lavito Pava | Suryakant Shinde | A♭ Minor | 9 | 1A | 153 BPM | ||
| Nari Janmachi Punyai | Madhuri Karmarkar | D Minor | 5 | 7A | 78 BPM | ||
| Pilluchya Othala Hay Laych Godi | Kishor Jawale, Ashish Shinde | F♯ Major | 9 | 2B | 145 BPM |