Surekha, Shamitha's ' "Bandalo Lakshmi" was released on its scheduled release date, January 8, 2017. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Bandalo Lakshmi's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Surekha, Shamitha's "Goravanahalli Mahalakshmi Namadhyana" album is number 14 out of 16. On top of that, India appears to be the country where this track was created. In terms of popularity, Bandalo Lakshmi is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Bandalo Lakshmi by Surekha, Shamitha to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Samalei Maa Go | Namita Agrawal | D♭ Minor | 9 | 12A | 176 BPM | ||
| Nawa Sadakiya | Tushar Banjare, Dipesh Patel, Shraddha, Sajal | F♯ Major | 7 | 2B | 105 BPM | ||
| Cheluvi Cheluvi Yendu | Shamita Malnad | B Major | 3 | 1B | 149 BPM | ||
| Atthe Maava Gange | Veerabhadra S. Soundi, Sujatha Dutt, Puttur Narasimha Nayak, Surekha, Pallavi, B. R. Chaya, Premalatha | D Minor | 6 | 7A | 182 BPM | ||
| Olidu Baarayya | Puttur Narasimha Nayak | A Major | 4 | 11B | 94 BPM | ||
| Hoove Hoovina Maale | K. Yuvaraj | A♭ Major | 7 | 4B | 136 BPM | ||
| Muruga | Badaga Tunes | C Minor | 8 | 5A | 149 BPM | ||
| Mallanna Mallanna | Sampath | G Major | 6 | 9B | 90 BPM | ||
| Nithyaathmudaiyundi | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Kai Pididu Salaho Jayateertha Raya (Bayasuve Satatadi) | Daasoham | D Minor | 3 | 7A | 77 BPM | ||
| Tumalukor Guhalir | Diganta Gohain | E Minor | 7 | 9A | 82 BPM | ||
| Thoogire Rangana Thoogire Krishnana | Ratnamala Prakash | D Major | 3 | 10B | 111 BPM | ||
| Balagala Ittu Barutini Olaga | Shabbir Dange, Chandrika Gururaj | A Minor | 5 | 8A | 156 BPM | ||
| Lankalo Seethamma | Jadala Ramesh | A♭ Major | 6 | 4B | 80 BPM | ||
| Ravemayya Ayyappa | Gangaputra Narasinga Rao | G Major | 9 | 9B | 93 BPM | ||
| Namma Manjunathanige | Manjula Gururaj | A Major | 4 | 11B | 118 BPM | ||
| Krishna Polai Jai | Pran Deep | B♭ Major | 5 | 6B | 103 BPM | ||
| Jhuli Jhuli Asuchhe Maa Samalei | Satrughna Luha, Shailabhama | F♯ Major | 9 | 2B | 143 BPM | ||
| Gangataranga (Lingastaka) | Goturi, Ajay Warriar | F Major | 3 | 7B | 149 BPM | ||
| Aa Konda Konalo Koluvaina | Akunuri Devayya | F Minor | 6 | 4A | 106 BPM | ||
| Chadivi Bathukaro | S.V. Anand Bhattar | F Major | 7 | 7B | 148 BPM | ||
| Shree Chakravasini | Pramod, Pradeep | A Minor | 7 | 8A | 146 BPM | ||
| Hanuman Chalisa Telugu | BhaktiVani-shree | G Minor | 3 | 6A | 108 BPM | ||
| Guruvanna Evvaro | Bombay Jayashri | F Major | 4 | 7B | 132 BPM | ||
| Irumudi Padi | Narashima Naik | A Minor | 8 | 8A | 93 BPM |