Charles Roland Berry's ' "Cello Suite No. 6 in D Major, BWV 1012: I. Prelude" was released on its scheduled release date, August 12, 2021. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Pleasant Piano Symphonies". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United States. Based on our statistics, Cello Suite No. 6 in D Major, BWV 1012: I. Prelude's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Cello Suite No. 6 in D Major, BWV 1012: I. Prelude by Charles Roland Berry having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elgar: Pomp and Circumstance, Op. 39: I. March No. 1 in D Major (Allegro con molto fuoco - Trio - Molto maestoso) | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult, David Bell | D Major | 3 | 10B | 93 BPM | ||
| Carmen, Act III: Entr'acte (arr. D. Sosin): Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | ||
| Canon In D Major | Johann Pachelbel, Robert Haydon Clark, Consort of London | D Major | 1 | 10B | 85 BPM | ||
| Oboe Concerto in C: 1. Introduzione (Larghetto) | Domenico Cimarosa, Heinz Holliger, I Musici | C Minor | 1 | 5A | 172 BPM | ||
| Our Menage-a-Trois Is Wonderful | Charles Roland Berry, Allison Pohl, Ellinor String Quartet | G Major | 2 | 9B | 81 BPM | ||
| Sergio Leone Suite: IV. Main Theme from Once Upon a Time in the West | Ennio Morricone, Marco Serino, Orchestra Haydn di Bolzano e Trento, Andrea Morricone | D Major | 1 | 10B | 71 BPM | ||
| Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | D Minor | 1 | 7A | 97 BPM | ||
| Fedora, Act II: Intermezzo | Umberto Giordano, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 128 BPM | ||
| Pie Jesu | Andrew Lloyd Webber, Anna Netrebko | A♭ Major | 0 | 4B | 78 BPM | ||
| Ponchielli: La Gioconda The dance of the hours 폰키엘리 라 지오콘다 중 시간의 춤 | 김준영 | E Major | 1 | 12B | 77 BPM | ||
| Pelléas et Mélisande, Op. 80: III. Sicilienne | Charles Roland Berry | C Major | 1 | 8B | 122 BPM | ||
| Die tote Stadt, Act I: Mariettas Lied | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | B♭ Major | 3 | 6B | 94 BPM | ||
| Pagliacci / Act 1: "Vesti la giubba" | Ruggero Leoncavallo, BBC Concert Orchestra, Barry Wordsworth | E Minor | 1 | 9A | 96 BPM | ||
| Les Contes d'Hoffmann, in A Major Act 3 - "Barcarolle Belle nuit, o nuit d'amour" | Nederica Stepan | D Major | 1 | 10B | 92 BPM | ||
| Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | G Major | 0 | 9B | 62 BPM | ||
| Symphony No. 101 in D Major, Hob. I:101 "The Clock": II. Andante | Joseph Haydn, Royal Concertgebouw Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 141 BPM | ||
| Mozart: Clarinet Concerto In A Major K.622 - Adagio | CHA Medical Center | D Major | 1 | 10B | 81 BPM | ||
| Piano Concerto No. 1 in E Minor, Op. 11: Romanze: Larghetto | Frédéric Chopin, Dmitri Kitayenko, Aleksandar Madzar, Radio-Sinfonie-Orchester Frankfurt | A Major | 0 | 11B | 67 BPM | ||
| Panis Angelicus (Arr. Leopold Stokowski) | César Franck, Matthias Bamert, BBC Philharmonic | A Major | 1 | 11B | 65 BPM | ||
| Charpentier: Te Deum in D Major, H. 146: I. Prelude. Marche en rondeau | Marc-Antoine Charpentier, William Christie | C Major | 4 | 8B | 75 BPM | ||
| Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
| Sinfonia Concertante in D Major: II. Romanza | Carl Stamitz, Warmia Symphonic Orchestra, Giovanni Antonioni, Silvano Frontalini, Beatrice Antonioni | G Major | 2 | 9B | 67 BPM | ||
| Bach, JS: Wachet auf, ruft uns die Stimme, BWV 140: No. 4, Choral. "Zion hört die Wächter singen" | Consortium Musicum, Wolfgang Gönnenwein, Suddeutscher Madrigalchor | E♭ Major | 1 | 5B | 66 BPM | ||
| Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | E Major | 2 | 12B | 91 BPM | ||
| Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM |