"Mile After Mile" by Straylight Run had its release date on May 12, 2009. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 4 in About Time by Straylight Run. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mile After Mile is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mile After Mile by Straylight Run is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gone Gone Gone | John Ralston | E Major | 6 | 12B | 133 BPM | ||
| Play Crack The Sky | Brand New | F♯ Major | 4 | 2B | 118 BPM | ||
| Lasting Impressions | The Starting Line | E Major | 6 | 12B | 98 BPM | ||
| Sunday Drive | The Early November | A Minor | 10 | 8A | 123 BPM | ||
| Come What May | The Scene Aesthetic | D♭ Major | 5 | 3B | 79 BPM | ||
| Just Until Sundown | Further Seems Forever | B♭ Major | 9 | 6B | 183 BPM | ||
| Brightest | Copeland | G Major | 2 | 9B | 66 BPM | ||
| Close That Door | Mansions | B Minor | 9 | 10A | 114 BPM | ||
| When All Else Fails It Fails | The Ataris | A Major | 7 | 11B | 133 BPM | ||
| Hey | The Movielife | A♭ Major | 9 | 4B | 90 BPM | ||
| Hold the Door | Armor For Sleep | E Major | 8 | 12B | 164 BPM | ||
| My Eyes Burn | Matchbook Romance | E♭ Minor | 10 | 2A | 180 BPM | ||
| This Is The End | Straylight Run | D Major | 4 | 10B | 75 BPM | ||
| Blame It On Bad Luck | Bayside | B♭ Minor | 4 | 3A | 75 BPM | ||
| Into The Sea | As Cities Burn | A♭ Minor | 6 | 1A | 122 BPM | ||
| There Only Is | Vendetta Red | E Major | 6 | 12B | 117 BPM | ||
| Through Windows | The Republic of Wolves | B Minor | 5 | 10A | 130 BPM | ||
| Gold Rush | I Can Make A Mess | C Major | 6 | 8B | 120 BPM | ||
| Hold Me Down | Motion City Soundtrack | D♭ Major | 9 | 3B | 120 BPM | ||
| The Heretic | The Sound Of Animals Fighting | D Major | 4 | 10B | 138 BPM | ||
| The Greatest Fall of All Time | Matchbook Romance | E Major | 10 | 12B | 161 BPM | ||
| Who Will Save Us Now | Straylight Run | G Major | 9 | 9B | 172 BPM | ||
| The Point | Hidden In Plain View | A Major | 8 | 11B | 176 BPM | ||
| One Hundred Percent | The Forecast | B Major | 9 | 1B | 175 BPM | ||
| It Never Gets Easier | Straylight Run | E♭ Minor | 9 | 2A | 150 BPM |