Harish Bhimani's ' "Commentary" was released on its scheduled release date, September 25, 2015. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 14 in the song's album "The Holy Trinity - Brahma Vishnu Mahesh". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Commentary is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Commentary by Harish Bhimani having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rudri Path- Adhyay 9 | Divya Jyoti Jagrati Sansthan | A♭ Major | 5 | 4B | 141 BPM | ||
| Maa Laxmi Chalisa | Shraddha Jain | C Major | 5 | 8B | 140 BPM | ||
| Aditya Hrudayam | Shankara Sastry | B Major | 3 | 1B | 82 BPM | ||
| Commentary | Harish Bhimani | E♭ Minor | 4 | 2A | 100 BPM | ||
| Shivansh | Siddharth Mohan | F♯ Minor | 6 | 11A | 117 BPM | ||
| Commentary (feat. Harish Bhimani) | Paras Borkhatria, Harish Bhimani | F Minor | 5 | 4A | 174 BPM | ||
| Invocation to Vyasa & Adi Sankara | Shubhraji | E Major | 2 | 12B | 134 BPM | ||
| Mahalakshmi Ashtak | Play Devotional | D Minor | 2 | 7A | 91 BPM | ||
| ओम राधा विभवाय नमः | Premanand Maharaj | A Major | 4 | 11B | 96 BPM | ||
| Evening Kirtan Bliss | Mayapuris, MayapurTV Music | B♭ Minor | 9 | 3A | 77 BPM | ||
| Shendur Laal Chadhaayo Achchha Gajamukha KO | Shraddha Jain | C Major | 8 | 8B | 170 BPM | ||
| Ya Kunde Du Tushar Haar Dhavla | Ketaki Joshi | C Major | 1 | 8B | 90 BPM | ||
| Anandamrita Rupini Amme | Amma | D♭ Minor | 6 | 12A | 89 BPM | ||
| Introduction | Harish Bhimani | D♭ Major | 5 | 3B | 87 BPM | ||
| Punyahavasana Mandram | M.Ramani Sastrigal | F♯ Major | 6 | 2B | 120 BPM | ||
| Adhyay 12 - Bhakti Yog | Vijay Prakash, Harish Bhimani | G Major | 3 | 9B | 107 BPM | ||
| Namah Shivaya | Vikram Hazra | E Minor | 9 | 9A | 111 BPM | ||
| MargaBandhu Stotram | Vijayaa Shanker | A Major | 2 | 11B | 113 BPM | ||
| Parameshwari | Vikram Hazra | C Major | 7 | 8B | 125 BPM | ||
| Sankatmochan Hanumanashtak | Rajan & Sajan Mishra | D♭ Major | 3 | 3B | 134 BPM | ||
| Hara Shiva Shankara Shashankha Shekara | Sri Sathya Sai International Organization | E Major | 7 | 12B | 126 BPM | ||
| Durga 32 Naam Mala दुर्गाद्वात्रिंशन्नाममाला (32 Names of Durga Devi) | Rupali Rajhans Apshankar | A♭ Major | 0 | 4B | 103 BPM | ||
| Guru Smaranam | Ravindra Sathe, Sadhana Sargam, Harish Bhimani, Chorus | A♭ Major | 2 | 4B | 92 BPM | ||
| Ghalin Lotangan Ganesh Aarti | Shraddha Jain | C Major | 3 | 8B | 132 BPM | ||
| Hanuman Chalisa - Chant | Babeena Sharma | D♭ Minor | 3 | 12A | 98 BPM |